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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-007.mrc:119280666:3010
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:119280666:3010?format=raw

LEADER: 03010mam a22004094a 4500
001 3096391
005 20221019215552.0
008 001207s2001 nyua b 001 0 eng
010 $a 00068827
020 $a1576470229
035 $a(OCoLC)ocm45582517
035 $9ATS5348CU
035 $a(NNC)3096391
035 $a3096391
040 $aDLC$cDLC$dOrLoB-B
042 $apcc
043 $ae-fr---
050 00 $aML2827$b.R36 2001
082 00 $a782/.00944/09032$221
100 1 $aRanum, Patricia M.$0http://id.loc.gov/authorities/names/n92017458
245 14 $aThe harmonic orator :$bthe phrasing and rhetoric of the melody in French baroque airs /$cPatricia M. Ranum ; preface by William Christie.
260 $a[Hillsdale, NY?] :$bPendragon,$c[2001]
300 $axxvii, 496 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 473-487) and index.
520 1 $a"The first systematic study of French baroque music to analyze melody and lyrics rather than notational rhythms, counterpoint, and harmony, this guide presents the phrasing, rhetoric, and expression that is woven into the melodies of sung dances. Its close reading of rhetorical and poetic writings of the period, combined with its presentation of basic French linguistic patterns and speech rhythms, opens the way to a deeper historical understanding of French baroque music.
520 8 $aProudly standing apart from its European neighbors, the music of seventeenth- and eighteenth-century France represented a conscious synthesis of French speech rhythms, French rhetorical practices and French theatrical recitation. As such, it demands its own performance style.".
520 8 $a"Speech and its melodies constituted what the French prior to Rameau thought of as "harmony." Twentieth-century performers and listeners who read this book will take increased pleasure in French baroque music when they can view the airs as miniature "orations" in which speech and music fuse to form a poetic whole.".
520 8 $a"Indispensable for musicians and critics who wish to deepen their knowledge of French music of the seventeenth and eighteenth centuries, this guide will also prove useful to persons interested in French poetry and theatrical performance."--BOOK JACKET.
500 $6 0$aPendragon Press musicological series.$a"Pendragon Press musicological series."$0http://id.loc.gov/authorities/names/n94081356
650 0 $aSongs, French$zFrance$y17th century$xHistory and criticism.
650 0 $aSongs, French$zFrance$y18th century$xHistory and criticism.
650 0 $aMusic and rhetoric.$0http://id.loc.gov/authorities/subjects/sh94001000
650 0 $aPerformance practice (Music)$xHistory$y17th century.$0http://id.loc.gov/authorities/subjects/sh89003985
650 0 $aPerformance practice (Music)$xHistory$y18th century.$0http://id.loc.gov/authorities/subjects/sh89003986
852 00 $boff,mus$hML2827$i.R36 2001