MARC Record from marc_columbia

LEADER: 03161mam a2200361 a 4500
001 2812627
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035 $a2812627
040 $aNLC$beng$cNLC$dOrLoB-B
055 01 $aPR4037
055 3 $aPR4037$bS44 2000
055 00 $aPR4037$bS44 2000
082 0 $a823/.7$221
100 1 $aSeeber, Barbara Karolina,$d1968-$0http://id.loc.gov/authorities/names/no00089287
245 10 $aGeneral consent in Jane Austen :$ba study of dialogism /$cBarbara K. Seeber.
260 $aMontreal :$bMcGill-Queen's University Press,$c2000.
300 $ax, 160 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tPreface: Aunt Jennifer and Aunt Jane --$tIntroduction: "Directly opposite notions": Critical Disputes --$gPt. 1.$t"Some truths not told": The Story of the Other Heroine.$g1.$t"I see every thing - as you can desire me to do": The Scolding and Schooling of Marianne Dashwood in Sense and Sensibility.$g2.$t"Exactly the something which her home required": The "unmerited punishment" of Harriet Smith in Emma.$g3.$t"A corrupted, vitiated mind": The Decline of Mary Crawford in Mansfield Park.$g4.$t"You are never sure of a good impression being durable": The Fall of Louisa Musgrove in Persuasion.$g5.$t"An itch for acting": Playing with Polyphony in Mansfield Park --$gPt. 2.$t"Their fates, their fortunes, cannot be the same": Cameo Appearances.$g6.$t"Surely this comparison must have its use": The "very strong resemblance" in Sense and Sensibility.$g7.$t"My expressions startle you": An "injured, angry woman" in Persuasion.$g8.$t"We must forget it": The "unhappy truth" in Pride and Prejudice --
505 80 $gPt. 3.$t"Grievous imprisonment of body and mind": Investigating Crimes.$g9.$t"No tread of violence was ever heard": Silent Suffering in Mansfield Park.$g10.$t"Unnatural and overdrawn": Alarming violence" in Northanger Abbey.$g11.$t"This ill-used girl, this heroine of distress": The "Diabolical scheme" in Lady Susan.$tConclusion: What, Or Who, Is Jane Austen? --$tAfterword: "Another world must be unfurled": Austen Country.
520 1 $a"Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instead, her texts reveal the process of manufacturing consent - of achieving ideological dominance by silencing dissent.
520 8 $aDrawing on the theories of Mikhail Bakhtin, Seeber interrogates academic and popular constructions of Jane Austen, opening up Austen's "unresolvable dialogues.""--BOOK JACKET.
600 10 $aAusten, Jane,$d1775-1817$xCriticism and interpretation.
600 16 $aAusten, Jane,$d1775-1817$xCritique et interprétation.
852 00 $bglx$hPR4037$i.S44 2000g