| Record ID | marc_columbia/Columbia-extract-20221130-006.mrc:25587523:1791 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-006.mrc:25587523:1791?format=raw |
LEADER: 01791mam a2200313 a 4500
001 2522449
005 20221012184517.0
008 990428t20002000njua bq 001 0 eng
010 $a 99027242
020 $a0691031932 (alk. paper)
020 $a0691008736 (pbk. : alk. paper)
035 $a(OCoLC)ocm41315410
035 $9AQH5699CU
035 $a2522449
040 $aDLC$cDLC$dOrLoB-B
050 00 $aPN1998.3.C4$bM37 2000
082 00 $a791.43/0233/092$221
100 1 $aMarrone, Gaetana.$0http://id.loc.gov/authorities/names/nr95039932
245 14 $aThe gaze and the labyrinth :$bthe cinema of Liliana Cavani /$cGaetana Marrone.
260 $aPrinceton, N.J. :$bPrinceton University Press,$c[2000], ©2000.
300 $axviii, 308 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aFilmography: p. [251]-257.
504 $aIncludes bibliographical references (p. [259]-303) and index.
505 00 $gPt. 1.$tThe Labyrinth: Cognition and Tragic Imagination.$g1.$tFrancesco di Assisi: The Medieval Chronicle and the Establishing of Physical Reality.$g2.$tRealism against Illusion: The Ceremonial Divestiture of Power in Galileo.$g3.$tMetaphors of Revolt: The Dialogic Silence in I cannibali --$gPt. 2.$tThe Transgressive Gaze: Style as Tension.$g4.$tToward a Negative Mythopoeia: Spectacle Memory, and Representation in The Night Porter.$g5.$tStaging the Gaze: Beyond Good and Evil.$g6.$tTheatricality and Reflexivity in The Berlin Affair --$gPt. 3.$tMetaphors of Vision.$g7.$tThe Architectonics of Form: Francesco and Milarepa.$g8.$tThe Essential Solitude: A Conclusion.
600 10 $aCavani, Liliana$xCriticism and interpretation.
852 00 $boff,glx$hPN1998.3.C4$iM37 2000
852 00 $bbar$hPN1998.3.C4$iM37 2000