| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:89405619:3477 |
| Source | marc_columbia |
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LEADER: 03477mam a2200397 a 4500
001 2069667
005 20220615195231.0
008 970321s1997 hiua b 001 0 eng
010 $a 97011153
020 $a0824818458 (pbk. : alk. paper)
035 $a(OCoLC)ocm36647879
035 $9AMV4487CU
035 $a(NNC)2069667
035 $a2069667
040 $aDLC$cDLC$dOrLoB-B
043 $aa-cc---$aa-ch---$aa-hk---
050 00 $aPN1993.5.C4$bT65 1997
082 00 $a791.43/0951$221
245 00 $aTransnational Chinese cinemas :$bidentity, nationhood, gender /$cedited by Sheldon Hsiao-peng Lu.
260 $aHonolulu, HI :$bUniversity of Hawaii Press,$c1997.
300 $axiii, 414 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 369-401) and index.
505 00 $tHistorical Introduction Chinese Cinemas (1896-1996) and Transnational Film Studies /$rSheldon Hsiao-peng Lu --$gPt. I.$tNation-Building, National Cinema, Transnational Cinema.$g1.$tAnti-Imperialism and Film Censorship During the Nanjing Decade, 1927-1937 /$rZhiwei Xiao.$g2.$tTwo Stage Sisters: The Blossoming of a Revolutionary Aesthetic /$rGina Marchetti.$g3.$tFrom "Minority Film" to "Minority Discourse": Questions of Nationhood and Ethnicity in Chinese Cinema /$rYingjin Zhang.$g4.$tNational Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou /$rSheldon Hsiao-peng Lu --$gPt. II.$tThe Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong.$g5.$tConstructing a Nation: Taiwanese History and the Films of Hou Hsiao-hsien /$rJune Yip.$g6.$tThe Diaspora in Postmodern Taiwan and Hong Kong Film: Framing Stan Lai's The Peach Blossom Land with Allen Fong's Ah Ying /$rJon Kowallis.
505 80 $g7.$tBreaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee /$rWei Ming Darious and Eileen Fung.$g8.$tTransnational Action: John Woo, Hong Kong, Hollywood /$rAnne T. Ciecko.$g9.$tJackie Chan and the Cultural Dynamics of Global Entertainment /$rSteve Fore --$gPt. III.$tEngendering History and Nationhood: Cross-Cultural and Gendered Perspectives.$g10.$tReading Formations and Chen Kaige's Farewell My Concubine /$rE. Ann Kaplan.$g11.$tThe New Woman Incident: Cinema, Scandal, and Spectacle in 1935 Shanghai /$rKristine Harris.$g12.$tGendered Perspective: The Construction and Representation of Subjectivity and Sexuality in Ju Dou /$rShuqin Cui.$g13.$tThe Concubine and the Figure of History: Chen Kaige's Farewell My Concubine /$rWendy Larson.$g14.$tNarrative Images of the Historical Passion: Those Other Women - On the Alterity in the New Wave of Chinese Cinema /$rYi Zheng --$tChinese Glossary /$rSheldon H. Lu and May M. Wang --$tFilmography /$rAnne T. Ciecko and Sheldon H. Lu --
505 80 $tBibliography /$rSheldon H. Lu and May M. Wang.
650 0 $aMotion pictures$zChina.$0http://id.loc.gov/authorities/subjects/sh98005383
650 0 $aMotion pictures$zTaiwan.$0http://id.loc.gov/authorities/subjects/sh2010102519
650 0 $aMotion pictures$zChina$zHong Kong.$0http://id.loc.gov/authorities/subjects/sh2010102518
700 1 $aLu, Sheldon H.$0http://id.loc.gov/authorities/names/no91007766
852 00 $beal$hPN1993.5.C4$iT65 1997
852 00 $bbar$hPN1993.5.C4$iT65 1997
852 00 $bglx$hPN1993.5.C4$iT65 1997
852 00 $bcomp$hPN1993.5.C4$iT65 1997
852 00 $bglx$hPN1993.5.C4$iT65 1997