| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:572787668:3700 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:572787668:3700?format=raw |
LEADER: 03700mam a2200325 a 4500
001 2452853
005 20220616050155.0
008 990318s2000 nyu b 000 0 eng
010 $a 99026151
015 $aGBA0-23507
020 $a0195119274 (pbk. : alk. paper)
035 $a(OCoLC)ocm41035532
035 $9AQA2161CU
035 $a2452853
040 $aDLC$cDLC$dUKM$dOrLoB-B
043 $an-us---
050 00 $aPN1992.3.U5$bT42 2000
245 00 $aTelevision :$bthe critical view /$cedited by Horace Newcomb.
250 $a6th ed.
260 $aNew York :$bOxford University Press,$c2000.
300 $axiv, 721 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
505 20 $tTelevision and the Present Climate of Criticism /$rHorace Newcomb --$tDisneyland /$rChristopher Anderson --$tThe Independents: Rethinking the Television Studio System /$rMark Alvey --$tFeeding Off the Past: The Evolution of the Television Rerun /$rPhil Williams --$tWomen's Work /$rLynn Spigel --$tWomen Characters and "Real World" Femininity /$rJulie D'Acci --$tOnce in a Lifetime: Constructing "The Working Woman" through Cable Narrowcasting /$rJackie Byars and Eileen R. Meehan --$tTelevision Production Techniques as Communication /$rDavid Barker --$tKodak's "America": Images from the American Eden /$rHal Himmelstein --$tCivic Visions: Forms of Documentary /$rJohn Corner --$tThe Triumph of the Prime Time Novel /$rCharles McGrath --$tMedia Effects: Marshall McLuhan, Television Culture, and "The X Files" /$rAdrienne L. McLean --$tIl Marescialla Rocca: The Italian Way to the TV Police Series /$rMilly Buonanno --$tThe Politics of Representation in Network Television /$rHerman Gray --
505 80 $tAbsolutely Fabulous: Absolutely Feminist? /$rPat Kirkham and Beverley Skeggs --$tBeavis and Butt-Head: No Future for Postmodern Youth /$rDouglas Kellner --$tObjectivity and Ethnicity in the Production of the Noticiero Univision /$rAmerica Rodriguez --$tThe Unspoken Rules of Television Talk /$rBernard Timberg --$tBarbarous TV International: Syndicated Wheels of Fortune /$rMichael Skovmand --$tPublic Discourse/Private Fascination: Hybridization in "True-Life-Story" Genres /$rIb Bondebjerg --$tDefining Media Events: High Holidays of Mass Communication /$rDaniel Dayan and Elihu Katz --$tMultiple Media Literacies /$rJoshua Meyrowitz --$tThe Struggle Over Media Literacy /$rJustin Lewis and Sut Jhally --$t"The Front Row Is Reserved for Scotch Drinkers": Early Television's Tavern Audience /$rAnna McCarthy --$tStar Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching /$rHenry Jenkins III --$tMaking Distinctions in TV Audience Research: Case Study of a Troubling Interview /$rEllen Seiter --
505 80 $t"The Cultural Debate of the Ages": History, Culture, and Media Politics in Public Reception /$rJostein Gripsrud --$tTelevision as a Cultural Forum /$rHorace Newcomb and Paul M. Hirsch --$tPrime Time Ideology: The Hegemonic Process in Television Entertainment /$rTodd Gitlin --$tTelevision Melodrama /$rDavid Thorburn --$tWhat Is the "Television" of Television Studies? /$rCharlotte Brunsdon --$tWhat Was Broadcasting? /$rDavid Marc --$tExcessive Style: The Crisis of Network Television /$rJohn Thornton Caldwell --$tInvisible Cities/Visible Geographies: Toward a Cultural Geography of Italian Television in the 1990s /$rJames Hay --$tFor a Cultural Future /$rEric Michaels.
650 0 $aTelevision broadcasting$zUnited States.$0http://id.loc.gov/authorities/subjects/sh85133589
700 1 $aNewcomb, Horace.$0http://id.loc.gov/authorities/names/n81139652
852 00 $bglx$hPN1992.3.U5$iT42 2000