MARC Record from marc_columbia

LEADER: 02235cam a22003494a 4500
001 2432184
005 20091222085537.0
008 990804s2000 nhua b 001 0 eng
010 $a 99043625
020 $a0819563943 (cloth : alk. paper)
020 $a9780819563941 (cloth : alk. paper)
020 $a0819563951 (pbk. : alk. paper)
020 $a9780819563958 (pbk. : alk. paper)
024 $a99934620334
035 $a(OCoLC)42290555
035 $a(OCoLC)ocm42290555\
035 $a(NNC)2432184
040 $aDLC$cDLC$dC#P$dVVC$dUKM$dOCL$dBAKER$dBTCTA$dYDXCP$dOrLoB-B
042 $apcc
050 00 $aNX212$b.A25 2000
082 00 $a790.2$221
245 00 $aActing on the past :$bhistorical performance across the disciplines /$cedited by Mark Franko and Annette Richards.
260 $aHanover, NH :$bWesleyan University Press, published by University Press of New England,$cc2000.
300 $avi, 243 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
505 00 $g1.$tActualizing Absence: The Pastness of Performance /$rMark Franko and Annette Richards -- $g2.$tThe Somatics of the Past: Helen and the Body of Tragedy /$rKaren Bassi -- $g3.$tFigural Inversions of Louis XIV's Dancing Body /$rMark Franko -- $g4.$tWriting the Breast, Performing the Trace: Madame d'Arblay's Radical Prosthesis /$rJoseph Roach and Shelby Richardson -- $g5.$tLike a Performance: Performativity and the Historicized Body, from Bellori to Mapplethorpe /$rCatherine M. Soussloff -- $g6.$tRhetorical Ductus, or, Moving through a Composition /$rMary Carruthers -- $g7.$tC. P. E. Bach's Free Fantasia and the Performance of the Imagination /$rAnnette Richards -- $g8.$tPerformance on Paper: Rewriting the Story of Notational Progress /$rJohn Butt -- $g9.$tThe Ambivalent Triumph: Corpus Christi in Colonial Cusco, Peru /$rCarolyn Dean -- $g10.$tGender Ambiguities and Erotic Excess in Seventeenth-Century Venetian Opera /$rSusan McClary -- $g11.$tChristian Aerobics: The Afterlife of Ecclesia's Moralized Motions /$rJames Miller.
650 0 $aArts.
650 0 $aPerforming arts.
700 1 $aFranko, Mark.
700 1 $aRichards, Annette.
852 00 $bglx$hNX212$i.A25 2000
852 00 $bglx$hNX212$i.A25 2000