MARC Record from marc_columbia

LEADER: 03622mam a2200481 a 4500
001 2045213
005 20220615192335.0
008 970102s1997 mdua b 001 0 eng
010 $a 97004442
020 $a0801855888 (alk. paper)
035 $a(OCoLC)ocm36225350
035 $9AMS5024CU
035 $a2045213
040 $aDLC$cDLC$dYDX$dOrLoB-B
043 $ae-uk-en
050 00 $aPR925$b.M26 1997
082 00 $a072/.1/09033$221
100 1 $aMackie, Erin Skye,$d1959-$0http://id.loc.gov/authorities/names/nr94014628
245 10 $aMarket à la mode :$bfashion, commodity, and gender in the Tatler and the Spectator /$cErin Mackie.
260 $aBaltimore, Md. :$bJohns Hopkins University Press,$c1997.
300 $axviii, 303 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 263-298) and index.
505 00 $tIntroduction: Cultural Criticism and the Tatler and Spectator Papers --$g1.$tFashion, the Fetish, and the Rise of Credit --$g2.$tIn the Very Sphinx of Fashion: The Fantastic Fashion Commodity --$g3.$tLady Credit and the Strange Case of the Hoop-Petticoat --$g4.$tFashion Plates: Subjectivity, Style, and Gender --$g5.$tFashioning Taste on the Culture Market.
520 $aIn Market a la Mode, Erin Mackie examines the role that two periodicals played in the growth of fashion and how they influenced their readers. She traces the commercial context in which The Tatler and The Spectator operated, focusing on the processes of commodification, fetishization, and revisions of gender identity.
520 8 $aBy championing "natural" fashion against the hoop-petticoat, domesticated women against the sophisticated woman of the world, the polite and aestheticised imagination against the illusions of fancy and enthusiasm, and the decency of bourgeois against the depravity of aristocratic taste, The Tatler and The Spectator advanced modern standards of British culture.
520 8 $aMackie's study makes clear that fashion publications, far from being commentaries on passing trends, assumed a leading role in defining women's legitimate sphere of activities as well as in the development of commerce as recreation.
630 00 $aTatler (London, England : 1709)$0http://id.loc.gov/authorities/names/n84088496
630 00 $aSpectator (London, England : 1711)$0http://id.loc.gov/authorities/names/no89001353
650 0 $aEnglish essays$y18th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2009124951
650 0 $aLiterature and society$zEngland$xHistory$y18th century.$0http://id.loc.gov/authorities/subjects/sh2008106899
650 0 $aEnglish periodicals$xHistory$y18th century.$0http://id.loc.gov/authorities/subjects/sh2009124952
650 0 $aFashion$zEngland$xHistory$y18th century.
650 0 $aCommercial products in literature.$0http://id.loc.gov/authorities/subjects/sh95010441
650 0 $aAesthetics, British$y18th century.$0http://id.loc.gov/authorities/subjects/sh88004652
650 0 $aEthics, Modern$y18th century.$0http://id.loc.gov/authorities/subjects/sh85045115
650 0 $aMiddle class in literature.$0http://id.loc.gov/authorities/subjects/sh85085015
650 0 $aSex role in literature.$0http://id.loc.gov/authorities/subjects/sh85120668
650 0 $aFashion in literature.$0http://id.loc.gov/authorities/subjects/sh94004178
651 0 $aEngland$xSocial life and customs$y18th century.$0http://id.loc.gov/authorities/subjects/sh85043323
852 00 $bglx$hPR925$i.M26 1997
852 00 $bbar$hPR925$i.M26 1997