| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:51564941:3549 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:51564941:3549?format=raw |
LEADER: 03549fam a2200421 a 4500
001 2043542
005 20220615192039.0
008 970114t19971997nyu b 001 0 eng
010 $a 97004575
020 $a0814735444 (clothbound : acid-free paper)
020 $a0814735452 (paperbound : acid-free paper)
035 $a(OCoLC)36301510
035 $a(OCoLC)ocm36301510
035 $9AMS2625CU
035 $a(NNC)2043542
035 $a2043542
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $an-us---
050 00 $aE184.A1$bW398 1997
082 00 $a305.8/00973$221
245 00 $aWhiteness :$ba critical reader /$cedited by Mike Hill.
260 $aNew York :$bNew York University Press,$c[1997], ©1997.
300 $avii, 359 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $g1.$tIntroduction: Vipers in Shangri-la Whiteness, Writing, and Other Ordinary Terrors /$rMike Hill --$g2.$tSympathy for the Devils: Notes on Some White Guys in the Ridiculous Class War /$rFred Pfeil --$g3.$tWhite Looks: Hairy Apes, True Stories, and Limbaugh's Laughs /$rDavid R. Roediger --$g4.$tThe Whitest I: On Reading the Hill-Thomas Transcripts /$rMichael E. Staub --$g5.$tBulletproof Settlers: The Politics of Offense in the New South Africa /$rGrant Farred --$g6.$tThe Whiteness of Film Noir /$rEric Lott --$g7.$tBasketball, Rodney King, and Simi Valley /$rMatthew P. Brown --$g8.$tThe Possum, the Hag, and the Rhinestone Cowboy: Hard Country Music and the Burlesque Abjection of the White Man /$rBarbara Ching --$g9.$t"Story Untold": The Black Men and White Sounds of Doo-Wop /$rJeffrey Melnick --$g10.$tOne of the Boys? Whiteness, Gender, and Popular Music Studies /$rGayle Wald --
505 80 $g11.$tWhat Is "White Trash"? Stereotypes and Economic Conditions of Poor Whites in the United States /$rAnnalee Newitz and Matthew Wray --$g12.$tThe Unexamined /$rRoss Chambers --$g13.$tOuting Whiteness: A Feminist/Lesbian Project /$rKate Davy --$g14.$tIf Uncle Tom Is White, Should We Call Him "Auntie"? Race and Sexuality in Postbellum U.S. Fiction /$rWarren Hedges --$g15.$tPerforming Men of Color: Male Autoperformance, Highways Performance Space, the NEA, and the White Right /$rRobert H. Vorlicky --$g16.$tConditions of Immigration /$rAmitava Kumar --$g17.$tThe Universalization of Whiteness: Racism and Enlightenment /$rWarren Montag --$g18.$tRacial Politics and the Pedagogy of Whiteness /$rHenry A. Giroux --$g19.$tThe "Look" Returned: Knowledge Production and Constructions of "Whiteness" in Humanities Scholarship and Independent Film /$rE. Ann Kaplan --$g20.$tLiterature in the Country of "Whiteness": From T. S. Eliot to The Tempest /$rJerry Phillips --
505 80 $g21.$tToward a New Abolitionism: A Race Traitor Manifesto /$rJohn Garvey and Noel Ignatiev.
650 0 $aWhite people$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2001006027
650 0 $aRace awareness$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008110338
651 0 $aUnited States$xRace relations.$0http://id.loc.gov/authorities/subjects/sh85140494
650 0 $aWhite people in literature.$0http://id.loc.gov/authorities/subjects/sh94009070
700 1 $aHill, Mike,$d1964-$0http://id.loc.gov/authorities/names/n97003739
856 7 $3Table of contents$uhttp://lcweb.loc.gov/catdir/toc/97-4575.html$2http
852 00 $bleh$hE184.A1$iW398 1997
852 00 $bbar$hE184.A1$iW398 1997
852 00 $bmil$hE184.A1$iW398 1997