| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:473800812:3574 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:473800812:3574?format=raw |
LEADER: 03574cam a22005414a 4500
001 2368389
005 20200305162501.0
008 990615s1999 ilua bc 001 0 eng
010 $a 99016535
035 $a(OCoLC)ocm41580369
040 $aDLC$beng$cDLC$dCAD$dC#P$dBTCTA$dYDXCP$dIG#$dOCLCF$dNGA$dTFW$dOCLCO$dOCLCQ$dOCLCO$dAQ3$dCNNGC$dHCO$dNTG
019 $a50291966$a1022647095
020 $a0865591784
020 $a9780865591783
020 $a0865591814
020 $a9780865591813
035 $a(OCoLC)41580369$z(OCoLC)50291966$z(OCoLC)1022647095
042 $apcc
050 00 $aTR647$b.J667 1999
082 00 $a779/.092$221
049 $aZCUA
100 1 $aJosephson, Kenneth,$d1932-
245 10 $aKenneth Josephson :$ba retrospective /$cSylvia Wolf, with an essay by Andy Grundberg and a chronology and interview by Stephanie Lipscomb.
250 $a1st ed.
260 $aChicago :$bArt Institute of Chicago,$c©1999.
300 $a200 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Exhibition dates: the Art Institute of Chicago, 25 September 1999-16 January 2000."
504 $aIncludes bibliographical references.
505 0 $aForeword / James N. Wood -- Kenneth Josephson: The Photograph and the Mobius Strip / Andy Grundberg -- Inside the Larger Picture / Sylvia Wolf -- Plates -- Chronology and Interview / Stephanie Lipscomb -- List of Plates -- Selected Exhibitions -- Selected Bibliography -- Index -- Photography Credits.
520 0 $aKenneth Josephson has been called "a photograher's photographer" since his late 1960s arrival at the forefront of conceptual photography. His work is inspired by a philosophical inquiry into photography's place within artistic expression, and consequently his photographs often take as their subject the medium itself. Perhaps best known for his pictures within pictures -- an outstretched arm holding a photograph of a ship over the distant ocean horizon -- Josephson has created a fascinating body of work through his innovative handling of perspective and scale and his combination of reality and reproduction. He has brought his highly original sensibility to different genres, from documenting street life in India to nude portraiture, to, most recently, large-format landscapes of England and France. Accompanying a major retrospective exhibition at The Art Institute of Chicago, this catalogue will span his entire career and include some 30 works never before published, an interview with the artist, a complete chronology, and two essays. In its scope and currency, this comprehensive monograph is the definitive record of Josephson's career.
600 10 $aJosephson, Kenneth,$d1932-$vExhibitions.
600 17 $aJosephson, Kenneth,$d1932-$2fast$0(OCoLC)fst00107833
600 16 $aJosephson, Kenneth,$d1932-$vExpositions.
650 0 $aPhotography, Artistic$vExhibitions.
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aWolf, Sylvia,$d1957-
700 1 $aLipscomb, Stephanie.
700 1 $aSilvio, Sam,$ebook designer.
710 2 $aArt Institute of Chicago.
776 08 $iOnline version:$aJosephson, Kenneth, 1932-$tKenneth Josephson.$b1st ed.$dChicago : Art Institute of Chicago, ©1999$w(OCoLC)607386657
852 80 $bfax$hNH32 J77$iJ773
852 00 $bbar,over$hTR647$i.J667 1999
852 80 $brbx$kAIGA$h2000$i50