| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:416759520:3148 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-005.mrc:416759520:3148?format=raw |
LEADER: 03148fam a2200445 a 4500
001 2323215
005 20220616021438.0
008 980716s1999 nyu b 000 0 eng
010 $a 98036538
020 $a0521641144 (hardcover)
020 $a0521646790 (pbk.)
035 $a(OCoLC)39615240
035 $a(OCoLC)ocm39615240
035 $9APJ2917CU
035 $a(NNC)2323215
035 $a2323215
040 $aDLC$cDLC$dOrLoB-B
043 $an-us---
050 00 $aE185.625$b.M685 1999
082 00 $a973/.0496073$221
100 1 $aMostern, Kenneth.$0http://id.loc.gov/authorities/names/n98065743
245 10 $aAutobiography and Black identity politics :$bracialization in twentieth-century America /$cKenneth Mostern.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c1999.
263 $a9906
300 $axii, 280 pages ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCultural margins ;$vv. 6
504 $aIncludes bibliographical references.
505 00 $gPt. 1.$tTheorizing race, autobiography, and identity politics.$g1.$tWhat is identity politics? Race and the autobiographical.$g2.$tAfrican-American autobiography and the field of autobiography studies --$gPt. 2.$tThe politics of Negro self-representation.$g3.$tThree theories of the race of W. E. B. Du Bois.$g4.$tThe gender, race, and culture of anti-lynching politics in the Jim Crow era.$g5.$tRepresenting the Negro as proletarian --$gPt. 3.$tThe dialectics of home: gender, nation and blackness since the 1960s.$g6.$tMalcolm X and the grammar of redemption.$g7.$tThe political identity "woman" as emergent from the space of Black Power.$g8.$tHome and profession in black feminism.
520 1 $a"Why has autobiography been central to African-American political speech throughout the twentieth century? What is it about the racialization process that persistently places African-Americans in the position of speaking from personal experience?
520 8 $aIn Autobiography and Black Identity Politics: Racialization in Twentieth-Century America Kenneth Mostern illustrates the relationship between narrative and racial categories such as "colored," "Negro," "black," or "African American" in the work of writers such as W. E. B. Du Bois, Zora Neale Hurston, Malcolm X, Paul Robeson, Angela Davis, and bell hooks. This wide-ranging study will interest all those working in African-American studies, cultural studies, and literary theory."--BOOK JACKET.
650 0 $aAfrican Americans$xRace identity.$0http://id.loc.gov/authorities/subjects/sh85001973
650 0 $aAfrican Americans$xPolitics and government.$0http://id.loc.gov/authorities/subjects/sh95010593
650 0 $aAutobiography$xPolitical aspects$zUnited States.
651 0 $aUnited States$xRace relations.$0http://id.loc.gov/authorities/subjects/sh85140494
650 0 $aAutobiography$xAfrican American authors.$0http://id.loc.gov/authorities/subjects/sh00001232
830 0 $aCultural margins ;$v6.$0http://id.loc.gov/authorities/names/n93113765
852 00 $bleh$hE185.625$i.M685 1999
852 00 $bbar$hE185.625$i.M685 1999