MARC Record from marc_columbia

LEADER: 03483fam a2200457 a 4500
001 2308485
005 20220616015242.0
008 990125s1999 nyua b 001 0 eng
010 $a 99013788
020 $a0415921686 (acid-free paper)
020 $a0415921694 (pbk. : acid-free paper)
035 $a(OCoLC)40716032
035 $a(OCoLC)ocm40716032
035 $9APG3646CU
035 $a(NNC)2308485
035 $a2308485
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $an-us---$ae-uk---
050 00 $aPS153.G38$bQ44 1999
082 00 $a810.9/920664$221
245 04 $aThe queer sixties /$cedited by Patricia Juliana Smith.
246 3 $aQueer 60s
260 $aNew York ; London :$bRoutledge,$c1999.
263 $a9906
300 $axxvi, 272 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tIntroduction /$rPatricia Juliana Smith --$gPt. I.$tThe Iconographic Subcultural Text: Queer Pulp Fictions.$g1.$tPulp Politics: Strategies of Vision in Pro-Lesbian Pulp Novels, 1955-1965 /$rYvonne Keller.$g2.$tThe Cultural Work of Sixties Gay Pulp Fiction /$rDavid Bergman --$gPt. II.$tUltimate Icon, Ultimate Iconoclast: Andy Warhol and Valerie Solanas.$g3.$tNew York School's "Out": Andy Warhol Presents Dumb and Dumber /$rKelly Cresap.$g4.$tThe "Sweet Assassin" and the Performative Politics of SCUM Manifesto /$rLaura Winkiel --$gPt. III.$tNotes from Abroad: Queer Icons of Swinging London.$g5.$tA Perfectly Developed Playwright: Joe Orton and Homosexual Reform /$rFrancesca Coppa.$g6.$t"You Don't Have to Say You Love Me": The Camp Masquerades of Dusty Springfield /$rPatricia Juliana Smith.$g7.$t"Give Us a Kiss": Queer Codes, Male Partnering, and the Beatles /$rAnn Shillinglaw --$gPt. IV.$tCalifornia Dreaming: Los Angeles and Its Queer Denizens.
505 80 $g8.$t"I am with You, Little Minority Sister": Isherwood's Queer Sixties /$rJoseph Bristow.$g9.$tL. A. Women: Jim Morrison with John Rechy /$rRicardo L. Ortiz --$gPt. V.$tIcons and Iconoclasts in the Mainstream.$g10.$t"(W)right in the Faultlines": The Problematic of Identity in William Wyler's The Children's Hour /$rJennifer A. Rich.$g11.$tLiberalism, Libido, Liberation: Baldwin's Another Country /$rWilliam A. Cohen.$g12.$tThe Queer Frontier /$rBlake Allmendinger.$g13.$tProducing Identity: From The Boys in the Band to Gay Liberation /$rWilliam Scroggie.$g14.$tMyra Breckinridge and the Pathology of Heterosexuality /$rDouglas Eisner.
650 0 $aGays' writings, American$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2009125715
650 0 $aAmerican literature$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007101049
650 0 $aEnglish literature$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103188
650 0 $aHomosexuality$zUnited States$xHistory$y20th century.
650 0 $aHomosexuality$zGreat Britain$xHistory$y20th century.
650 0 $aGays' writings, English$xHistory and criticism.
650 0 $aLesbians in literature.$0http://id.loc.gov/authorities/subjects/sh94006245
650 0 $aGay men in literature.$0http://id.loc.gov/authorities/subjects/sh95004286
650 0 $aNineteen sixties.$0http://id.loc.gov/authorities/subjects/sh96005475
700 1 $aSmith, Patricia Juliana.$0http://id.loc.gov/authorities/names/n95047539
852 00 $bglx$hPS153.G38$iQ44 1999
852 00 $bbar$hPS153.G38$iQ44 1999