MARC Record from marc_columbia

LEADER: 03255fam a2200433 a 4500
001 2219380
005 20220615233239.0
008 980204t19981998txua bc 001 0 eng
010 $a 98002960
020 $a0810963647 (Abrams)
020 $a0936227249 (Dallas Museum : pbk)
035 $a(OCoLC)38504227
035 $a(OCoLC)ocm38504227
035 $9ANU7123CU
035 $a(NNC)2219380
035 $a2219380
040 $aDLC$cDLC$dDLC$dOrLoB-B
043 $an-us---
050 00 $aND1351.5$b.H27 1998
082 00 $a758/.173/07473$221
100 1 $aHarvey, Eleanor Jones.$0http://id.loc.gov/authorities/names/n98011729
245 14 $aThe painted sketch :$bAmerican impressions from nature, 1830-1880 /$cby Eleanor Jones Harvey.
260 $a[Dallas, Tex.] :$bDallas Museum of Art in association with H.N. Abrams,$c[1998], ©1998.
300 $a299 pages :$billustrations (some color) ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aCatalog of an exhibition held at the Dallas Museum of Art, June 21-Sept. 20, 1998, the Corcoran Gallery of Art, Washington, D.C., Oct. 11, 1998-Jan. 10, 1999, and the Sterling and Francine Clark Art Institute, Williamstown, Mass., Feb. 6-May 9, 1999.
504 $aIncludes bibliographical references (p. 278-288) and index.
505 00 $gCh. 1.$tThe Artist in the Field --$gCh. 2.$tThe Alchemy of the Studio --$gCh. 3.$tThe Oil Sketch on Display --$gCh. 4.$tCollecting the Painted Sketch --$gCh. 5.$tThe Oil Sketch as Art.
520 $aBetween 1830 and 1880, oil sketches by American landscape painters gradually emerged from the privacy of the studio as desirable and marketable works of art in their own right.
520 8 $aLandscape painting was of prime importance in America during the mid-nineteenth century, and artists such as Thomas Cole, Frederic Edwin Church, Albert Bierstadt, and Sanford Robinson Gifford traveled to distant, often inaccessible places in search of new images. The hazards accompanying such ventures added to the public's interest in the on-the-spot sketches, which also became marketing tools for the carefully composed paintings that would later be created in a studio setting.
520 8 $aThe Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources.
650 0 $aOil sketches$zUnited States$vExhibitions.
650 0 $aLandscape painting, American$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2009128785
650 0 $aLandscape painting, American$y19th century$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2009128783
710 2 $aDallas Museum of Art.$0http://id.loc.gov/authorities/names/n84018765
710 2 $aCorcoran Gallery of Art.$0http://id.loc.gov/authorities/names/n79079587
710 2 $aSterling and Francine Clark Art Institute.$0http://id.loc.gov/authorities/names/n78096939
852 80 $bfax$hND210$iH26