MARC Record from marc_columbia

LEADER: 03174fam a2200457 a 4500
001 2150843
005 20220615214956.0
008 961010s1998 nyuag b 001 0 eng
010 $a 96047436
020 $a0521554497 (hardback)
035 $a(OCoLC)35742075
035 $a(OCoLC)ocm35742075
035 $9ANL3618CU
035 $a(NNC)2150843
035 $a2150843
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aML915$b.W25 1997
082 00 $a787.4/143/09033$221
100 1 $aWalden, Valerie.$0http://id.loc.gov/authorities/names/n96098763
245 10 $aOne hundred years of violoncello :$ba history of technique and performance practice, 1740-1840 /$cValerie Walden.
246 3 $a100 years of violoncello
260 $aNew York :$bCambridge University Press,$c1998.
263 $a9708
300 $axiv, 311 pages :$billustrations, music ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCambridge musical texts and monographs
504 $aIncludes bibliographical references (p. 300-305) and index.
505 00 $g1.$tVioloncellists and schools of performance --$g2.$tDevelopment of the violoncello, the bow, and notation --$g3.$tThe bow grip and instrument hold --$g4.$tThe development of fingering techniques --$g5.$tBow strokes and their execution --$g6.$tSpecial effects --$g7.$tRules of ornamentation --$g8.$tThe art of accompaniment --$g9.$tElements of aesthetics and style.
520 $aThis is the first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions is traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters, and pictures, Dr.
520 8 $aWalden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills, and the stylistic preferences of the most famous soloists of the time. Richly illustrated with over 300 music examples, plates, and figures, this book allows the reader to apply the information to his or her own manner of playing period music.
650 0 $aCello$xPerformance.
650 0 $aCello music$y18th century$xInterpretation (Phrasing, dynamics, etc.)
650 0 $aCello music$y18th century$xHistory and criticism.
650 0 $aCello music$y19th century$xHistory and criticism.
650 0 $aPerformance practice (Music)$xHistory$y18th century.$0http://id.loc.gov/authorities/subjects/sh89003986
650 0 $aPerformance practice (Music)$xHistory$y19th century.$0http://id.loc.gov/authorities/subjects/sh89003987
650 0 $aEmbellishment (Music)$0http://id.loc.gov/authorities/subjects/sh85042675
650 0 $aMusical accompaniment.$0http://id.loc.gov/authorities/subjects/sh85088951
830 0 $aCambridge musical texts and monographs.$0http://id.loc.gov/authorities/names/n83744525
852 00 $boff,mus$hML915$i.W25 1998