MARC Record from marc_columbia

LEADER: 03198mam a2200397 a 4500
001 2009734
005 20220609051129.0
008 970211s1997 onca b 100 0 eng d
010 $acn 97930481
015 $aC97-930481-4
020 $a0802009727
035 $a(OCoLC)39914124
035 $a(OCoLC)ocm39914124
035 $9AMN7808CU
035 $a(NNC)2009734
035 $a2009734
040 $aCaOTU$beng$cNLC$dNOC$dOrLoB-B
055 3 $aML3797$b.C65 1990
082 00 $a418/.02$221
111 2 $aConference on Editorial Problems$n(26th :$d1990 :$cUniversity of Toronto)
245 10 $aMusic discourse from classical to early modern times :$bediting and translating texts : papers given at the Twenty-sixth Annual Conference on Editorial Problems, University of Toronto, 19-20 October 1990 /$cedited by Maria Rika Maniates.
260 $aToronto :$bUniversity of Toronto Press,$c1997.
263 $a9709
300 $ax, 148 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tIntroduction /$rMaria Rika Maniates --$tFidelities and Infidelities in Translating Early Music Theory /$rClaude V. Palisca --$tEditing Ademar de Chabannes' Liturgy for the Feast of Saint Martial /$rJames Grier --$tEditing and Translating Medieval Arabic Writings on Music /$rGeorge Dimitri Sawa --$tPreparing Editions and Translations of Humanist Treatises on Music: Franchino Gaffurio's Theorica Musice (1492) /$rWalter Kurt Kreyszig --$tThe Translator as Interpreter: Euclid's Sectio canonis and Ptolemy's Harmonica in the Latin Tradition /$rAlan C. Bowen and William R. Bowen.
520 $aThe study of medieval and Renaissance music relies heavily on scholarly editions and translations of theoretical and liturgical sources to provide means of interpreting notation, style, and compositional processes. The editing of these texts and sources remains challenging for professional musicologists and social historians, as all musicologists must either translate or use translations of text for their own research.
520 8 $aThe five essays in this collection deal with the problems inherent in editing and translating writings on such diverse subjects as music theory, harmonic science, composition, sociology, liturgy, and performance practice.
520 8 $aThe papers represent a variety of disciplines, not only in respect to their fields of inquiry, but with respect to the study of music itself, which embraces musicology and ethnomusicology, historical and systematic research, philology and hermeneutics. Throughout is the common thread of the legacy of the ancient classics, in general and in particular, as a stable element in music discourse.
650 0 $aMusicology$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2010102808
650 0 $aEditing$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2008102649
650 0 $aMusic$xHistory and criticism$xEarly works to 1800$xTranslating$vCongresses.
650 0 $aMusic theory$xEarly works to 1800$xTranslating$vCongresses.
700 1 $aManiates, Maria Rika,$d1937-$0http://id.loc.gov/authorities/names/n78068402
852 00 $boff,mus$hML3797$i.C65 1990g