Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:73765743:3238 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:73765743:3238?format=raw |
LEADER: 03238fam a2200445 a 4500
001 1553985
005 20220608185718.0
008 940601t19941994nyu b 001 0 eng
010 $a 94019544
020 $a082640684X (alk. paper) :$c$22.50
035 $a(OCoLC)30671001
035 $a(OCoLC)ocm30671001
035 $9AKD8285CU
035 $a(NNC)1553985
035 $a1553985
040 $aDLC$cDLC$dDLC$dOrLoB$dOrLoB
050 00 $aPA8030.C47$bN65 1994
082 00 $a870.9/9287/0902$220
100 1 $aNolan, Edward Peter,$d1937-$0http://id.loc.gov/authorities/names/n90680185
245 10 $aCry out and write :$ba feminine poetics of revelation /$cEdward Peter Nolan.
260 $aNew York :$bContinuum,$c[1994], ©1994.
300 $a215 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [209]-212) and index.
505 0 $aPreface: Toward a Feminine Poetics -- Ch. 1. The "Gendered" Style: Perpetua's Waterjug, Hildegard's Womanish Times, and Julian's Hazelnut -- Ch. 2. Vibia Perpetua Martyr and a Feminine Style of Revelation -- Ch. 3. Hildegard of Bingen and the Via Affirmativa. Legitimacy of Voice. The Affair of Richardis von Stade. Letter to the Prelates of Mainz. In vera visione: Beginning, Middle, and End. Scivias. Liber Vitae Meritorum. Liber Divinorum Operum: The End of Time -- Ch. 4. Julian of Norwich and the Via Negativa. The Kenosis of Christ and Julian's Field of Play. Reading the Westminster Shewings. The Unpublished Westminster Manuscript. The Text, with Gloss and Commentary.
520 $aHildegard of Bingen's mission, "Cry Out and Write," could well be a clarion for scores of women writers whose voices are only recently being heard.
520 8 $aThis book studies the work of three women - Vibia Perpetua, Hildegard, and Julian of Norwich - who suffered divine revelation, along with a divine imperative to tell the world about it. How did they go about converting the unique experience of holy vision into shareable words and images? What was it like for them, as women in a world dominated by male power, to set the images down accurately, get the meaning of them right - and do so in the form of accepted, authoritative texts?
520 8 $aThese are some of the questions Cry Out and Write seeks to answer.
600 00 $aHildegard,$cSaint,$d1098-1179$xLiterary style.
600 00 $aJulian,$cof Norwich,$d1343-$xLiterary style.
600 00 $aPerpetua,$cSaint,$d-203$xLiterary style.
650 0 $aChristian literature, Latin (Medieval and modern)$xWomen authors$xHistory and criticism$xTheory, etc.
650 0 $aChristian literature, English (Middle)$xWomen authors$xHistory and criticism$xTheory, etc.
650 0 $aFemininity in literature.$0http://id.loc.gov/authorities/subjects/sh94004221
650 0 $aAuthorship$xSex differences.$0http://id.loc.gov/authorities/subjects/sh2008117583
650 0 $aRevelation in literature.$0http://id.loc.gov/authorities/subjects/sh94008516
650 0 $aWomen and literature.$0http://id.loc.gov/authorities/subjects/sh85147430
650 0 $aPoetics.$0http://id.loc.gov/authorities/subjects/sh85103703
852 00 $bglx$hPA8030.C47$iN65 1994