| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:640001599:2001 |
| Source | marc_columbia |
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LEADER: 02001fam a2200349 a 4500
001 1997351
005 20220609045245.0
008 960425t19971997nyu b 001 0 eng
010 $a 96022421
020 $a0820433586
035 $a(OCoLC)34658926
035 $a(OCoLC)ocm34658926
035 $9AMM0022CU
035 $a(NNC)1997351
035 $a1997351
040 $aDLC$cDLC$dDLC$dOrLoB-B
050 00 $aPQ6603.L2$bZ8355 1997
082 00 $a863/.62$220
100 1 $aOxford, Jeffrey Thomas,$d1966-$0http://id.loc.gov/authorities/names/n96040937
245 10 $aVicente Blasco Ibáñez :$bcolor symbolism in selected novels /$cJeffrey Thomas Oxford.
260 $aNew York :$bP. Lang,$c[1997], ©1997.
300 $a100 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aAmerican university studies. Series II, Romance languages and literature ;$vvol. 223
504 $aIncludes bibliographical references (p. [95]-100) and index.
520 $aOne of the stated goals of the Naturalist movement was to present a depiction of life faithful to the empirical method. In practice, however, the works emphasize the more sordid and base elements. This study explains how Vicente Blasco Ibanez's use of coloration is a consciously manipulated narrative technique instead of a faithful portrayal of reality.
520 8 $aIn fact, a close examination of the Valencian cycle concludes that the "scientific objectivity" of the Naturalist movement is tenuous, at best, and that Blasco Ibanez's narratives include more art and artifice than have been recognized heretofore.
600 10 $aBlasco Ibáñez, Vicente,$d1867-1928$xCriticism and interpretation.
650 0 $aSymbolism of colors in literature.$0http://id.loc.gov/authorities/subjects/sh94009117
830 0 $aAmerican university studies.$nSeries II,$pRomance languages and literature ;$vv. 223.$0http://id.loc.gov/authorities/names/n83729755
852 00 $boff,glx$hPQ6603.L2$iZ8355 1997