| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:604381762:1690 |
| Source | marc_columbia |
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LEADER: 01690fam a22003618a 4500
001 1973282
005 20220609041434.0
008 961017s1997 enka b 001 0 eng
010 $a 96047645
020 $a0192842005
035 $a(OCoLC)35777437
035 $a(OCoLC)ocm35777437
035 $9AMH8834CU
035 $a(NNC)1973282
035 $a1973282
040 $aDLC$cDLC$dNNC$dOrLoB-B
050 00 $aTR15$b.C566 1997
082 00 $a770$221
100 1 $aClarke, Graham,$d1948-$0http://id.loc.gov/authorities/names/n90722450
245 14 $aThe photograph /$cGraham Clarke.
260 $aOxford ;$aNew York :$bOxford University Press,$c1997.
263 $a9704
300 $a247 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aOxford history of art
504 $aIncludes bibliographical references and index.
520 $aIn a series of brilliant discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting critics on the subject such as Roland Barthes and Susan Sontag.
520 8 $aAt the heart of the book is his innovative examination of the main subject areas - landscape, the city, portraiture, the body, and documentary reportage - and his detailed analysis of exemplary images in terms of their cultural and ideological contexts.
650 0 $aPhotography$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008109260
830 0 $aOxford history of art.$0http://id.loc.gov/authorities/names/n96099923
852 80 $bfax$hNH70$iC55
852 00 $bbar$hTR15$i.C566 1997