| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:359705256:3958 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:359705256:3958?format=raw |
LEADER: 03958fam a2200445 a 4500
001 1775274
005 20220608232745.0
008 950329s1996 enka b 001 0 eng
010 $a 95014783
020 $a0415098068
020 $a0415098076 (pbk.)
035 $a(OCoLC)32347330
035 $a(OCoLC)ocm32347330
035 $9ALK0574CU
035 $a(NNC)1775274
035 $a1775274
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $ae-uk-en
050 00 $aPR1263$b.R46 1996
082 00 $a822/.3099287$220
245 00 $aRenaissance drama by women :$btexts and documents /$cedited by S.P. Cerasano and Marion Wynne-Davies.
260 $aLondon ;$aNew York :$bRoutledge,$c1996.
300 $axii, 237 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $gPt. I.$tTexts.$g1.$tHercules Octaeus (n.d.) /$rElizabeth I.$g2.$tThe Tragedy of Antonie (1595) /$rMary Sidney.$g3.$tThe Tragedy of Mariam (1613) /$rElizabeth Cary.$g4.$tCupid's Banishment (1617) /$rRobert White.$g5.$tLove's Victory (c. 1621) /$rMary Wroth.$g6.$tThe Concealed Fancies, (c. 1645) /$rElizabeth Brackley and Jane Cavendish --$gPt. II.$tDocuments.$g7.$tAttitudes toward Women's Attendance at the Playhouses.$g1.$t'The Bride', 1617 /$rSamuel Rowlands.$g2.$tA Treatise wherein Dicing, Dauncing, vaine Playes, or Enterluds, with other idle Pastimes, Etc., commonly used on the Sabbath Day, are reproved by the Authoritie of the Word of God and auntient writers, 1577 /$rJohn Northbrooke.$g3.$tPlays Confuted to Five Actions, 1590 /$rStephen Gosson.$g4.$tTh'overthrow of Stage Playes, 1599 /$rJohn Rainolds.$g8.$tWomen as Spectators.$g5.$tNature's Pictures Drawn by Fancy's Pencil, 1667 /$rMargaret Cavendish.$g6.$tAutobiography (1672?) /$rMary Rich.$g7.$tAutobiography (c. 1677-8) /$rAnne, Lady Halkett.
505 80 $g8.$tSatyres: and Satyricall Epigrams, 1617 /$rHenry Fitzgeffrey.$g9.$tJohn Chamberlain, from a letter to Sir Dudley Carleton, 1624.$g10.$tAmanda, or the Reformed Whore, 1635 /$rThomas Cranley.$g11.$tThe Actor's Remonstrance, 1643 /$rAnon.$g12.$tThe Art of Living in London, 1642 /$rHenry Peacham.$g13.$tEpigrams, 1618 /$rJohn Harington.$g14.$tFrom his notebook, 1629 /$rJohn Finet.$g9.$tWomen Performing.$g15.$tReport of an incident in Oxford, 1598 /$rAnon.$g16.$tFrom the Declared Accounts of the Office of the Works, 1607-9.$g17.$tVincent to Benson, Calendar of State Papers, 1605.$g18.$tZuane Pesaro to the Doge and Senate, Calendar of State Papers, 1625/6.$g19.$tDeclared Accounts of the Office of the Works, 1631-2.$g20.$tHistriomastix, 1633 /$rWilliam Prynne.$g21.$tTheatrum Redivivum, 1662 /$rRichard Baker.$g22.$tConsistory Court of London, Correction Book, 1612.$g10.$tWomen in Theatrical Affairs.$g23.$tEdmund Howes's addition to John Stow's Annales, 1615.
505 80 $g24.$tChancery Records, Draft Patent for Queen Anne's Men, 1603-4.$g25.$tLast will and testament of William Browne, 1634.$g26.$tIndenture between Edward Alleyn and Marie Bryan for one twelfth of the second Fortune Playhouse, 1623.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600.$0http://id.loc.gov/authorities/subjects/sh85043340
650 0 $aEnglish drama$xWomen authors.$0http://id.loc.gov/authorities/subjects/sh2009124950
650 0 $aEnglish drama$y17th century.$0http://id.loc.gov/authorities/subjects/sh85043341
650 0 $aWomen in the theater$zEngland$xHistory$y17th century$vSources.
650 0 $aWomen in the theater$zEngland$xHistory$y16th century$vSources.
650 0 $aWomen and literature$zEngland$xHistory$vSources.
650 0 $aRenaissance$zEngland$vSources.
700 1 $aCerasano, S. P.$0http://id.loc.gov/authorities/names/n92094305
700 1 $aWynne-Davies, Marion.$0http://id.loc.gov/authorities/names/n90610100
852 00 $bbar$hPR1263$i.R46 1996
852 00 $boff,glx$hPR1263$i.R46 1996