Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:338227107:3753 |
Source | marc_columbia |
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LEADER: 03753mam a2200409 a 4500
001 1759504
005 20220608225959.0
008 940615s1995 caua b 001 0 eng
010 $a 94028152
020 $a0804723907 (cloth) :$c$49.50 (est.)
020 $a0804724865 (pbk.) :$c$16.95 (est.)
035 $a(OCoLC)ocm30734493
035 $9ALH1493CU
035 $a1759504
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aGN345$b.P74 1995
082 00 $a306$220
245 00 $aPrehistories of the future :$bthe primitivist project and the culture of modernism /$cedited by Elazar Barkan and Ronald Bush.
260 $aStanford, Calif. :$bStanford University Press,$c1995.
300 $axii, 449 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCultural stings
504 $aIncludes bibliographical references (p. 375-434) and index.
505 00 $tIntroduction /$rElazar Barkan and Ronald Bush --$tThe Presence of the Past: Ethnographic Thinking/Literary Politics /$rRonald Bush --$tSavage Crowds, Modernism, and Modern Politics /$rRobert Nye --$tVictorian Promiscuity: Greek Ethics and Primitive Exemplars /$rElazar Barkan --$tThe Moment of Prestidigitation: Magic, Illusion, and Mana in the Thought of Emile Durkheim and Marcel Mauss /$rVincent Crapanzano --$tPatterns of Strangeness: Franz Boas, Modernism, and the Origins of Anthropology /$rJulia E. Liss --$tFrazer, Einstein, and Free Play /$rChristopher Herbert --$tIn a Glass Darkly: Photography, the Premodern, and Victorian Horror /$rJoss Lutz Marsh --$tManipulated Images: European Photographs of Pacific Peoples /$rVirginia Lee-Webb --$tTravel Engravings and the Construction of the Primitive /$rChristopher B. Steiner --$tGauguin's French Baggage: Decadence and Colonialism in Tahiti /$rNancy Perloff --$tModernism's African Mask: The Stein-Picasso Collaboration /$rMichael North --
505 80 $tThe Kind of Person You Have to Sound Like to Sing "Alexander's Ragtime Band" /$rRobert Dawidoff --$t"Remembering the Jungle": Josephine Baker and Modernist Parody /$rWendy Martin --$tPrimitive Self: Colonial Impulses in Michel Leiris's L'Afrique fantome /$rMarie-Denise Shelton --$tTolerance and Taboo: Modernist Primitivisms and Postmodernist Pieties /$rMarjorie Perloff --$tModernism, Postmodernism, and Explanation /$rFrank Kermode.
520 $aThis volume reconsiders primitivism and modernism, emphasizing an earlier chronology than has been conventionally accepted and showing how ethnographic materials shaped a variety of high and low discourses (ethnology, social theory, gender construction, and classical scholarship, as well as travel photography) at the turn of the century.
520 8 $aAcknowledging the complexities, political and otherwise, of the primitivist project, the sixteen essays in this book suggest that primitivism has always been involved contested ideological forces and that the process seems to have generated a set of responses inseparable from what we have come to call modernism.
650 0 $aEthnology$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008103336
650 0 $aEthnology$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh85045201
650 0 $aPrimitivism.$0http://id.loc.gov/authorities/subjects/sh85106698
650 0 $aArt.$0http://id.loc.gov/authorities/subjects/sh85007461
650 0 $aModernism (Christian theology)$0http://id.loc.gov/authorities/subjects/sh85086441
700 1 $aBarkan, Elazar.$0http://id.loc.gov/authorities/names/n90699220
700 1 $aBush, Ronald.$0http://id.loc.gov/authorities/names/n83057341
830 0 $aCultural sitings.$0http://id.loc.gov/authorities/names/n93097559
852 00 $bleh$hGN345$i.P74 1995