| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:329523598:1720 |
| Source | marc_columbia |
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LEADER: 01720mam a2200325 a 4500
001 1751020
005 20220608225149.0
008 950606t19961996ncua b 001 0 eng
010 $a 95030516
020 $a0822317265 (cl : alk. paper)
020 $a0822317230 (pa : alk. paper)
035 $a(OCoLC)ocm32699931
035 $9ALG2953CU
035 $a1751020
040 $aDLC$cDLC$dOrLoB-B
050 00 $aPN1998.3.A435$bM37 1996
082 00 $a791.43/0233/092$220
100 1 $aMargulies, Ivone.$0http://id.loc.gov/authorities/names/n95055896
245 10 $aNothing happens :$bChantal Akerman's hyperrealist everyday /$cIvone Margulies.
246 30 $aChantal Akerman's hyperrealist everyday
260 $aDurham :$bDuke University Press,$c[1996], ©1996.
300 $axi, 270 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [247]-261) and index.
505 00 $tChantal Akerman's Films: The Politics of the Singular --$g1.$tNothing Happens: Time for the Everyday in Postwar Realist Cinema --$g2.$tToward a Corporeal Cinema: Theatricality in the '70s --$g3.$tThe Equivalence of Events: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles --$g4.$tExpanding the "I" Character in Experimental Feminist Narrative --$g5.$t"HER" and Jeanne Dielman Type as Commerce --$g6.$tForms of Address Epistolary Performance, Monologue, and Bla Bla Bla --$g7.$tThe Rhythm of Cliche: Akerman into the '90s --$tTo Conclude: It Is Time.
600 10 $aAkerman, Chantal$xCriticism and interpretation.
852 00 $bglx$hPN1998.3.A435$iM37 1996
852 00 $bbar$hPN1998.3.A435$iM37 1996
852 00 $bbar$hPN1998.3.A435$iM37 1996