MARC Record from marc_columbia

LEADER: 02028mam a2200325 a 4500
001 1710980
005 20220608215513.0
008 950119t19951995cauaf b s001 0beng
010 $a 95001601
020 $a0520089928 (acid-free paper)
035 $a(OCoLC)ocm31969021
035 $9ALB4018CU
035 $a(NNC)1710980
035 $a1710980
040 $aDLC$cDLC$dC#P$dOrLoB
043 $an-us---
050 00 $aTR140.A3$bS63 1995
082 00 $a770/.92$aB$220
100 1 $aSpaulding, Jonathan,$d1957-$0http://id.loc.gov/authorities/names/n95006144
245 10 $aAnsel Adams and the American landscape :$ba biography /$cJonathan Spaulding.
260 $aBerkeley :$bUniversity of California Press,$c[1995], ©1995.
300 $axv, 516 pages, 32 unnumbered leaves of plates :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [461]-498) and index.
520 $aDrawing on a vast array of correspondence, interviews, and published and unpublished works, Spaulding illuminates Adams's place in modern art and the environmental movement. He explores the photographer's early influences - the tensions in Adams's once-wealthy family, his adventures in the Sierra Nevada, and his participation in the art colonies of California and New Mexico.
520 8 $aHis friendships with leading artists, including Dorothea Lange, Georgia O'Keefe, Alfred Stieglitz, Paul Strand, and Edward Weston, fostered an exploration of issues such as modernism, photography as art, and the social responsibility of artists and individuals. In his thirty-seven years as a director of the Sierra Club, he helped the environmental movement grow from a small band of activists to a force of international prominence.
600 10 $aAdams, Ansel,$d1902-1984.$0http://id.loc.gov/authorities/names/n79056359
650 0 $aPhotographers$zUnited States$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008109265
852 80 $bfax$hNH32 Ad1$iSp28