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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-004.mrc:237715752:2395
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:237715752:2395?format=raw

LEADER: 02395fam a2200385 a 4500
001 1685721
005 20220608212253.0
008 940701t19951995nmua s000 0beng
010 $a 94018705
020 $a0826316034
020 $a0826316042 (pbk.)
035 $a(OCoLC)30783045
035 $a(OCoLC)ocm30783045
035 $9AKV5003CU
035 $a(NNC)1685721
035 $a1685721
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB
043 $an-us-nm
050 00 $aND237.M2335$bH6 1995
082 00 $a759.13$aB$220
100 1 $aHobbs, Robert Carleton,$d1946-$0http://id.loc.gov/authorities/names/n77019985
245 10 $aBeatrice Mandelman, Taos modernist /$cRobert Hobbs ; foreword by Agnes Martin.
250 $a1st ed.
260 $aAlbuquerque :$bUniversity of New Mexico Press,$c[1995], ©1995.
263 $a9511
300 $aviii, 191 pages :$billustrations ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 0 $aThe 1920s: the formative years -- The 1930s: the great depression and social realism -- The 1940s: Taos, New Mexico -- The late 1940s and early 1950s:the school of Paris -- The 1950s: moving toward abstraction -- The 1960s to the mid 1970s: the poetics and problematics of White -- The mid 1970s to the present: incipient postmodernism -- Conclusion.
520 $aRobert Hobbs calls Beatrice Mandelman one of the most original and important of the Taos abstract painters. An artist since the 1920s, she moved to Taos in the 1940s with her husband, Louis Ribak, and became one of the leaders of the third generation of New Mexico painters.
520 8 $aIn the evolution of her work she has shown the influences of her early teacher Louis Lozowick and friends Willem deKooning, Jackson Pollock, and other New York abstract painters. She also studied with Fernand Leger and Francis Picabia in Paris, but painting in the relative isolation of northern New Mexico allowed her to create an important regional variant of the international modern style.
520 8 $aThis book is not only a close examination of the life work of a lively and dedicated Taos artist, it is also about how Modernism developed and flourished outside of New York and Paris.
600 10 $aMandelman, Beatrice.$0http://id.loc.gov/authorities/names/n94063334
650 0 $aPainters$zNew Mexico$zTaos$vBiography.
852 80 $boff,fax$hND259 M31$iH65