| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:185679431:1389 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-004.mrc:185679431:1389?format=raw |
LEADER: 01389fam a2200313 a 4500
001 1644177
005 20220608203623.0
008 940909t19951995enk 000 0 eng
010 $a 94037797
020 $a0719032237 (hardback)
035 $a(OCoLC)503317668
035 $a(OCoLC)ocn503317668
035 $9AKQ5368CU
035 $a(NNC)1644177
035 $a1644177
040 $aDLC$cDLC$dNNC$dOrLoB
050 00 $aML3795$b.M188 1995
082 00 $a306.4/84$220
100 1 $aMartin, Peter,$d1947-
245 10 $aSounds and society :$bthemes in the sociology of music /$cPeter Martin.
260 $aManchester ;$aNew York :$bManchester University Press ;$aNew York, NY, USA :$bDistributed exclusively in the USA and Canada by St. Martin's Press,$c[1995], ©1995.
300 $axiii, 298 pages ;$c298 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMusic and society
505 0 $a1. Introduction: sociology and music -- 2. The social construction of musical meaning -- 3. Adorno: music as representation -- 4. Social structures and musical structures -- 5. Music as social action -- 6. The music business in capitalist society.
650 0 $aMusic$xSocial aspects.$0http://id.loc.gov/authorities/subjects/sh85088891
830 0 $aMusic and society (Series)$0http://id.loc.gov/authorities/names/n86712583
852 00 $bmus$hML3795$i.M188 1995