MARC Record from marc_columbia

LEADER: 02278fam a2200433 a 4500
001 1475426
005 20220602043116.0
008 930518t19941994nyuaf b 001 0 eng
010 $a 93023982
020 $a0231078986 (alk. paper)
020 $a0231078994 (pbk.)
035 $a(OCoLC)28257146
035 $a(OCoLC)ocm28257146
035 $9AHZ7777CU
035 $a(NNC)1475426
035 $a1475426
040 $aDLC$cDLC$dNNC
041 1 $aeng$hfre
050 00 $aPN1995.7$b.C4713 1994
082 00 $a791.43/024$220
100 1 $aChion, Michel,$d1947-$0http://id.loc.gov/authorities/names/n83013090
240 10 $aAudio-vision.$lEnglish$0http://id.loc.gov/authorities/names/no2018103400
245 10 $aAudio-vision :$bsound on screen /$cMichel Chion ; edited and translated by Claudia Gorbman ; with a foreword by Walter Murch.
260 $aNew York, NY :$bColumbia University Press,$c[1994], ©1994.
300 $axxvii, 239 pages, 8 unnumbered pages of plates :$billustrations ;$c22 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
500 $aTranslation of: L'Audio-Vision.
505 0 $aForeword / Walter Murch -- Pt. 1. The Audiovisual Contract. 1. Projections of Sound on Image. 2. The Three Listening Modes. 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations. 4. The Audiovisual Scene. 5. The Real and the Rendered. 6. Phantom Audio-Vision -- Pt. 2. Beyond Sounds and Images. 7. Sound Film - Worthy of the Name. 8. Television, Video Art, Music Video. 9. Toward an Audiologovisual Poetics. 10. Introduction to Audiovisual Analysis.
650 0 $aSound motion pictures.$0http://id.loc.gov/authorities/subjects/sh85088125
650 0 $aMotion pictures$xSound effects.$0http://id.loc.gov/authorities/subjects/sh85088109
650 0 $aMotion pictures$xAesthetics.$0http://id.loc.gov/authorities/subjects/sh85088085
700 1 $aGorbman, Claudia.$0http://id.loc.gov/authorities/names/n85299438
700 1 $aMurch, Walter,$d1943-$0http://id.loc.gov/authorities/names/no92017670
852 00 $bglx$hPN1995.7$i.C4713 1994
852 00 $bglx$hPN1995.7$i.C4713 1994
852 00 $boff,glx$hPN1995.7$i.C4713 1994