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MARC Record from marc_claremont_school_theology

Record ID marc_claremont_school_theology/CSTMARC2_multibarcode.mrc:97024880:3366
Source marc_claremont_school_theology
Download Link /show-records/marc_claremont_school_theology/CSTMARC2_multibarcode.mrc:97024880:3366?format=raw

LEADER: 03366cam a2200625 i 4500
001 ocn827263327
003 OCoLC
005 20200617075239.2
008 130912t20142014iluag b 001 0 eng c
010 $a 2013037077
040 $aICU/DLC$beng$erda$cCGU$dDLC$dSTF$dBTCTA$dBDX$dUKMGB$dIAD$dOCLCF$dYDXCP$dSP1$dCOO$dZCU$dCHVBK$dICW$dOCLCQ
015 $aGBB412533$2bnb
016 7 $a016620627$2Uk
020 $a9780253011565$q(cloth ;$qalkaline paper)
020 $a0253011566$q(cloth ;$qalkaline paper)
020 $z9780253011626$q(ebook)
029 1 $aCHBIS$b010205203
029 1 $aCHDSB$b006229036
029 1 $aCHSLU$b001175714
029 1 $aCHVBK$b317505831
029 1 $aCHVBK$b320515087
029 1 $aCHVBK$b329634259
029 1 $aUKMGB$b016620627
035 $a(OCoLC)827263327
042 $apcc
043 $ae------
050 00 $aML3020.2$b.K46 2014
082 00 $a781.72/6$223
049 $aMAIN
100 1 $aKendrick, Robert L.,$eauthor.
245 10 $aSinging Jeremiah :$bmusic and meaning in Holy Week /$cRobert L. Kendrick.
264 1 $aBloomington ;$aIndianapolis :$bIndiana University Press,$c2014.
264 4 $c2014
300 $ax, 337 pages :$billustrations, music ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusic and the early modern imagination
504 $aIncludes bibliographical references (pages 301-324) and index.
505 0 $aSymbolic meanings, sonic penance -- Textual understandings, musical expressions -- Devotion, models, circulation, 1550-1600 -- Dynastic Tenebrae -- Static rites, dramatic music -- European Tenebrae c.1680 -- Ad honorem Passionis : Triduum music and rational piety -- Endings and continuities.
520 $aA defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed [Publisher description].
590 $bArchive
610 27 $aKatholische Kirche.$0(DE-588)4029989-2$2gnd
650 0 $aHoly Week music$zEurope$xHistory and criticism.
650 7 $aHoly Week music.$2fast$0(OCoLC)fst00959026
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
650 7 $aOsterliturgie.$0(DE-588)4172937-7$2gnd
650 7 $aKirchenmusik.$0(DE-588)4030736-0$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aMusic and the early modern imagination.
938 $aBrodart$bBROD$n108669149
938 $aBaker and Taylor$bBTCP$nBK0012768303
938 $aYBP Library Services$bYANK$n10003714
994 $a92$bCST
976 $a10017031598