| Record ID | marc_claremont_school_theology/CSTMARC2_barcode.mrc:92554948:3537 |
| Source | marc_claremont_school_theology |
| Download Link | /show-records/marc_claremont_school_theology/CSTMARC2_barcode.mrc:92554948:3537?format=raw |
LEADER: 03537cam a2200757 a 4500
001 ocn793213236
003 OCoLC
005 20200617074855.0
008 120530s2013 nyua bq 001 0 eng
010 $a 2012021855
040 $aDLC$beng$cDLC$dUKMGB$dOCLCO$dERASA$dYDXCP$dZCU$dBWX$dYHM$dWAU$dU2C$dIAK$dOCLCF$dNSB$dSTF$dEQO$dVP@$dOCLCQ$dIQU$dCHVBK$dOCLCQ$dEUN$dUKWOH$dVTS$dOCLCO$dOCLCQ$dNRC$dOCLCQ$dAU@$dOCLCQ$dOCLCA$dDCT$dOCLCQ$dCKQ
015 $aGBB244519$2bnb
015 $aGBB241963$2bnb
016 7 $a016081545$2Uk
016 7 $a016076370$2Uk
019 $a815642280$a820076083$a820728020$a841563564$a863585318$a882575962$a893458165$a990522217
020 $a9780073535104$q(pbk. ;$qacid-free paper)
020 $a0073535109$q(pbk. ;$qacid-free paper)
020 $z9780071318310$q(international ed.)
020 $z0071318313$q(international ed.)
020 $a9781259253317
020 $a1259253317
029 1 $aAU@$b000049546712
029 1 $aAU@$b000050914438
029 1 $aAU@$b000051960560
029 1 $aCHBIS$b007329000
029 1 $aCHVBK$b18311647X
029 1 $aNZ1$b14338485
029 1 $aUKMGB$b016081545
029 1 $aUNITY$b127347860
029 1 $aUNITY$b127375686
035 $a(OCoLC)793213236$z(OCoLC)815642280$z(OCoLC)820076083$z(OCoLC)820728020$z(OCoLC)841563564$z(OCoLC)863585318$z(OCoLC)882575962$z(OCoLC)893458165$z(OCoLC)990522217
042 $apcc
050 00 $aPN1995$b.B617 2013
080 $a791.430 1
082 00 $a791.4301$223
084 $a791.43$223
049 $aMAIN
100 1 $aBordwell, David.
245 10 $aFilm art :$ban introduction /$cDavid Bordwell, Kristin Thompson.
250 $a10th ed.
260 $aNew York, N.Y. :$bMcGraw-Hill,$c©2013.
300 $axviii, 526 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references, filmography, and index.
505 0 $aFilm art and filmmaking: Film as art : creativity, technology, and business -- Film form: The significance of film form ; Narrative form -- Film style: The shot : mise-en-scene ; The shot : cinematography ; The relation of shot to shot : editing ; Sound in the cinema ; Style as a formal system -- Types of film: Film genres ; Documentary, experimental, and animated films -- Critical analysis of films: Film criticism : sample analyses ; Writing a critical analysis of a film -- Film history: Historical changes in film art conventions and choices, tradition and trends.
520 8 $aFilm is an art form with a language and an aesthetic all its own. In this new edition, the authors provide an introduction to the fundamentals of serious film study, with images throughout the text collected from actual film frames, not from production stills or advertising photos.
590 $bArchive
650 0 $aMotion pictures$xAesthetics.
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 7 $aFilm$2gnd
650 7 $aFilmästhetik$2gnd
650 7 $aFilmanalyse$2gnd
650 7 $aFilmgestaltung$2gnd
650 7 $aFilmestetik.$2sao
650 7 $aFilmspråk.$2sfit
650 7 $aFilmteori.$2sfit
655 4 $aFormer Course Reserve reading.
700 1 $aThompson, Kristin,$d1950-
938 $aErasmus Boekhandel$bERAA$nNTS0000142057
938 $aYBP Library Services$bYANK$n6968581
994 $a92$bCST
976 $a10017030342