MARC Record from marc_claremont_school_theology

LEADER: 03881cam a2200601 i 4500
001 ocm06981524
003 OCoLC
005 20200617074835.3
008 801106s1981 ctuag b 001 0 eng
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035 $a(OCoLC)06981524$z(OCoLC)813579897$z(OCoLC)1001072293$z(OCoLC)1063791434$z(OCoLC)1083396815
050 00 $aML3849$b.W58 1981
082 00 $a780/.08$219
084 $aA(EJB)$2bcmc
049 $aMAIN
100 1 $aWinn, James Anderson,$d1947-2019.
245 10 $aUnsuspected eloquence :$ba history of the relations between poetry and music /$cJames Anderson Winn.
260 $aNew Haven, CT :$bYale University Press,$c©1981.
300 $axiv, 381 pages :$billustrations, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 347-365) and index.
505 0 $aThe poet as singer : the ancient world. Introduction : primitive song ; Mousike in ancient Greece ; Literacy and theory ; Plato on music and rhetoric ; Roman borrowings -- The word as the new song : Christian developments. Introduction : four coordinates ; Early Christian music ; Augustine on music and rhetoric ; Sequences and tropes ; Practical developments in theory -- Polyphonists and troubadours : construction and expression in the later Middle Ages. The troubadours and trouvères : music as a metaphor for the poetic technique ; Polyphony and polysemy ; Toward the motet ; Anagrams and cancrizans -- The rhetorical renaissance. Introduction : ears and eyes ; Music from Mauchaut to Josquin : expressive developments ; From Frottola to madrigal : text-setting and musical style ; Construction as expression : four analogues between poetic and musical technique ; Virtuoso rhyming in Shakespeare ; Rhetorical theory : the "auricular" and the "sensible" ; The musical humanists ; The survival of construction -- Imitations. Apprenticeship, "natural genius," and music's "nameless graces" ; Sound, sense, and structure ; The affektenlehre and the persona ; A language of the passions of a grammar of harmonies? ; English literary opposition to opera : the charms of the "harlot form" ; Treatises on poetry and music ; Romantic ideas and "musical" syntax ; Literary ideas and romantic music -- The condition of music. Versions of autonomy : Hanslick and the new critics ; Pure contraption ; The axis of construction ; The axis of symbolism ; The axis of polyphony ; Expression in modern music : Schönberg the romantic, Stravinsky the rhetorician.
590 $bArchive
650 0 $aMusic and literature.
650 6 $aMusique et littérature.
650 7 $aMusic and literature.$2fast$0(OCoLC)fst01030479
650 17 $aDichtkunst.$2gtt
650 17 $aMuziek.$2gtt
653 $aWestern music$arelated to$apoetry$ato 1980
776 08 $iOnline version:$aWinn, James Anderson, 1947-$tUnsuspected eloquence.$dNew Haven, CT : Yale University Press, ©1981$w(OCoLC)767561940
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