| Record ID | marc_cca/b10621386.out:44347484:1466 |
| Source | marc_cca |
| Download Link | /show-records/marc_cca/b10621386.out:44347484:1466?format=raw |
LEADER: 01466cam 2200289 a 45 0
001 56096270
003 OCoLC
005 20050317143350.0
008 040802s2005 mnua b s001 0 eng
010 $a2004018120
020 $a0816642648 (hc : alk. paper)
020 $a0816642656 (pb : alk. paper)
040 $aDLC$cDLC$dYDX$dOCLCQ
043 $an-us---
049 $aCC9M
050 00 $aPN1995.9.E96$bA78 2005
100 1 $aArthur, Paul,$d1947-
245 12 $aA line of sight :$bAmerican avant-garde film since 1965 /$cPaul Arthur.
260 $aMinneapolis :$bUniversity of Minnesota Press,$cc2005.
300 $axvi, 216 p. :$bill. ;$c26 cm.
504 $aIncludes bibliographical references (p. 179-204) and index.
505 0 $aRoutines of emancipation: Jonas Mekas and alternative cinema in the ideology and politics of the sixties -- Identity and/as moving image -- The redemption of the city -- The resurgence of history and the avant-garde essay film -- The last of the last machine? -- The western edge: oil of L.A. and the machined image -- Springing tired chains: African American experimental film and video -- Bodies, language, and the impeachment of vision: the avant-garde at fifty -- "I just pass my hands over the surface of things": on and off the screen, circa 2003.
650 0 $aExperimental films$zUnited States$xHistory and criticism.
907 $a.b10525002$bmn $c-
902 $a080709
998 $b1$c050317$dm$ea$f-$g2
945 $lmnst