MARC Record from marc_cca

LEADER: 01468cam 2200325 a 4500
001 50006525
003 OCoLC
005 20040220162224.0
008 020612s2003 ncua b s001 0 eng
010 $a2002009070
020 $a0807827606 (cloth : alk. paper)
040 $aDLC$cDLC$dUKM$dC#P
043 $an-us---
049 $aCC9M
050 00 $aN8232$b.H37 2003
100 1 $aHarris, Michael D.,$d1948-
245 10 $aColored pictures :$brace and visual representation /$cMichael D. Harris ; foreword by Moyo Okediji.
260 $aChapel Hill :$bUniversity of North Carolina Press,$cc2003.
300 $axiv, 281 p. :$bill. (some col.) ;$c28 cm.
504 $aIncludes bibliographical references (p. [259-274) and index.
505 0 $aBlack: the discredited signifier/signified -- Constructing and visualizing race -- The nineteenth century: imaged ideology -- Aunt Jemima, the fantasy black mammy/servant -- Jezebel, Olympia, and the sexualized woman -- Color lines: mapping color consciousness in the art of Archibald Motley Jr. -- The language of appropriation: fantasies and fallacies -- Turning in from the periphery.
650 0 $aAfrican American artists.
650 0 $aAfrican Americans in art.
650 0 $aAfrican American art.
650 0 $aAfrican Americans$xRace identity.
655 7 $aDiversity resources, African and African American.
907 $a.b10499301$bmn $c-
902 $a080709
998 $b1$c040220$dm$ea$f-$g0
945 $lmnst