MARC record from Internet Archive

LEADER: 05544cam 2200901 a 4500
001 ocm25095245
003 OCoLC
005 20200624011606.0
008 911218s1992 njua bq 001 0 eng
010 $a 91047875
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050 00 $aPN1993.5.R9$bH63 1992
082 00 $a384/.8/0947$220
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084 $aAP 44950$2rvk
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088 $a91047875
100 1 $aHorton, Andrew,$d1944-
245 14 $aThe zero hour :$bglasnost and Soviet cinema in transition /$cAndrew Horton and Michael Brashinsky.
260 $aPrinceton, N.J. :$bPrinceton University Press,$c©1992.
300 $axiv, 287 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aFilmography: pages 251-261.
504 $aIncludes bibliographical references (pages 263-275 and index.
505 0 $aBack to the present: (re)presenting the Soviet past in feature films -- "We are your children": Soviet youth, cinema, and changing values -- "Wherever will I begin?" Soviet women in cinema and on film -- Is it easy to be honest?: glasnost in the documentary film -- Down with stuttering: Soviet popular genres and the new film language -- From accusatory to joyful laughter: restructuring the Soviet comic-satiric muse -- The islands of the continent: a revised map for ethnic cinemas.
520 $a"Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid changes in Soviet cinema that have been taking place since 1985. What emerges from their collaborative dialogue is not only a valuable work of film criticism but also a fascinating study of contemporary Soviet culture in general. Horton and Brashinsky examine a wide variety of films from BOMZH (initials standing for homeless drifter) through Taxi Blues and the glasnost blockbuster Little Vera to the Latvian documentary Is It Easy to Be Young? and the "new wave" productions of the "Wild Kazakh boys." The authors argue that the medium that once served the Party became a major catalyst for the deconstruction of socialism, especially through documentary filmmaking. Special attention is paid to how filmmakers from 1985 through 1990 represent the newly "discovered" past of the pre-glasnost era and how they depict troubled youth and conflicts over the role of women in society. The book also emphasizes the evolving uses of comedy and satire and the incorporation of "genre film" techniques into a new popular cinema. An intriguing discussion of films of Georgia, Estonia, Latvia, Lithuania, and Kazakhstan ends the work"--Publisher description.
650 0 $aMotion pictures$zSoviet Union.
650 0 $aPopular culture$zSoviet Union.
650 0 $aGlasnost.
650 0 $aCulture in motion pictures.
650 7 $a24.32 history of film art.$0(NL-LeOCL)077601394$2bcl
650 7 $aCulture in motion pictures.$2fast$0(OCoLC)fst01902963
650 7 $aGlasnost.$2fast$0(OCoLC)fst00943026
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aPopular culture.$2fast$0(OCoLC)fst01071344
651 7 $aSoviet Union.$2fast$0(OCoLC)fst01210281
650 07 $aFilm.$0(DE-588)4017102-4$2gnd
650 07 $aGeschichte.$0(DE-588)4020517-4$2gnd
650 07 $aGlasnost.$0(DE-588)4193963-3$2gnd
651 7 $aSowjetunion.$0(DE-588)4077548-3$2gnd
650 17 $aFilms.$2gtt
650 17 $aPopulaire cultuur.$2gtt
650 07 $aFilm.$2swd
650 07 $aGlasnost.$2swd
650 07 $aGeschichte.$2swd
651 7 $aSowjetunion.$2swd
653 0 $aCinema$aFilms (Motion pictures)
653 0 $aUnion of Soviet Socialist Republics
700 1 $aBrashinsky, Michael,$d1965-
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/prin031/91047875.html
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780691069371.pdf
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/prin021/91047875.html
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948 $hHELD BY P4A - 537 OTHER HOLDINGS