| Record ID | ia:williambyrdsmoda0000harl |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/williambyrdsmoda0000harl/williambyrdsmoda0000harl_marc.xml |
| Download MARC binary | https://www.archive.org/download/williambyrdsmoda0000harl/williambyrdsmoda0000harl_meta.mrc |
LEADER: 01240cam a22003014a 4500
001 5380229
005 20221110030758.0
008 041104t20052005enka b 001 0deng
010 $a 2004026337
020 $a0754634418 (alk. paper)
035 $a(OCoLC)ocm56921816
035 $a(NNC)5380229
035 $a5380229
040 $aDLC$cDLC$dBAKER
042 $apcc
050 00 $aML410.B996$bH38 2005
082 00 $a781.2/63/092$222
100 1 $aHarley, John,$d1928-$0http://id.loc.gov/authorities/names/n84191382
245 10 $aWilliam Byrd's modal practice /$cJohn Harley.
260 $aAldershot, Hants, England ;$aBurlington, VT, USA :$bAshgate,$c[2005], ©2005.
300 $axi, 162 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [135]-145) and indexes.
505 0 $aByrd's early training -- Some preliminary concepts -- Key and tonality -- Cadences -- Melodic range -- Melodic shape -- Vocal clefs -- Choice of key -- Tonal design -- Conclusions.
600 10 $aByrd, William,$d1539 or 1540-1623$xCriticism and interpretation.
650 0 $aMusical intervals and scales$xHistory.
852 00 $boff,mus$hML410.B996$iH38 2005