| Record ID | ia:voicinggendercas0000andr |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/voicinggendercas0000andr/voicinggendercas0000andr_marc.xml |
| Download MARC binary | https://www.archive.org/download/voicinggendercas0000andr/voicinggendercas0000andr_meta.mrc |
LEADER: 04019cam a22008894a 4500
001 ocm60603277
003 OCoLC
005 20191109072440.4
008 050609s2006 inua b 001 0 eng
010 $a 2005016783
040 $aDLC$beng$cDLC$dYDX$dBAKER$dUKM$dIXA$dCOO$dBTCTA$dYDXCP$dIG#$dGEBAY$dOCLCQ$dBDX$dDEBSZ$dOCLCF$dOCLCO$dOCL$dOCLCQ$dDEBBG$dOCL$dOCLCQ$dCEF$dTKN$dXFF$dTYC$dCNO$dCRU$dFQG$dERR$dOCLCQ$dPAU$dNAM$dSNN$dNJR$dINT$dQE2$dBGU$dLHU$dOKX$dWYU$dUKMGB$dEUQ$dUWO$dLVT$dGDC$dOCLCQ$dERD$dEZC$dLGG$dAZU$dOCLCQ$dW2U$dDKC$dERL$dUEJ$dNJT$dZQP$dOCLCQ$dOCLCO$dOCLCA
015 $aGBA603785$2bnb
016 7 $a013354131$2Uk
019 $a1022702220
020 $a0253346444$q(cloth ;$qalk. paper)
020 $a9780253346445$q(cloth ;$qalk. paper)
020 $a025321789X$q(pbk. ;$qalk. paper)
020 $a9780253217899$q(pbk. ;$qalk. paper)
029 1 $aAU@$b000027336087
029 1 $aDEBBG$bBV021515564
029 1 $aDEBSZ$b253558697
029 1 $aGEBAY$b9405328
029 1 $aIG#$b9780253217899
029 1 $aIG#$b9780253346445
029 1 $aNLGGC$b278489745
029 1 $aNZ1$b9601410
029 1 $aYDXCP$b2234146
029 1 $aYDXCP$b2234148
029 1 $aUKMGB$b013354131
035 $a(OCoLC)60603277$z(OCoLC)1022702220
042 $apcc
043 $ae-it---
050 00 $aML1733.4$b.A53 2006
082 00 $a782.1/0945/09034$222
084 $aLQ 81605$2rvk
084 $aLR 11045$2rvk
084 $aLR 54178$2rvk
084 $aLR 56615$2rvk
084 $a9,2$2ssgn
049 $aMAIN
100 1 $aAndré, Naomi Adele.
245 10 $aVoicing gender :$bcastrati, travesti, and the second woman in early-nineteenth-century Italian opera /$cNaomi André.
260 $aBloomington :$bIndiana University Press,$c©2006.
300 $axiii, 230 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusical meaning and interpretation
504 $aIncludes bibliographical references (pages 213-222) and index.
505 0 $aPrelude : hearing voices -- Sounding voices : modeling voice and the period ear -- Haunting legacies : the castrato in the nineteenth century -- Meyerbeer in Italy : the crusader, the castrato, and the disguised second woman -- Interlude : queens, hybridity, and the diva -- Taming women's voices : from hero to pageboy -- Women's voices in motion : voices behind the romantic heroine -- Coda : looking ahead to risorgimento heroism.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aOpera$zItaly$y19th century.
650 0 $aFeminism and music.
650 0 $aHeroines in opera.
650 7 $aFeminism and music.$2fast$0(OCoLC)fst00922744
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
650 7 $aHeroines in opera.$2fast$0(OCoLC)fst00955623
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
650 7 $aGeschlechterforschung$2gnd
650 7 $aOper$2gnd
651 7 $aItalien$2gnd
648 7 $aGeschichte 1801-1850$2swd
648 7 $a1800-1899$2fast
648 4 $aGeschichte 1801-1850.
830 0 $aMusical meaning and interpretation.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0514/2005016783.html
856 41 $3Table of contents$uhttp://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=1711517&custom_att_2=simple_viewer
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014732127&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
938 $aBaker & Taylor$bBKTY$c24.95$d24.95$i025321789X$n0006442826$sactive
938 $aBaker & Taylor$bBKTY$c60.00$d60.00$i0253346444$n0006442825$sactive
938 $aBrodart$bBROD$n04115945$c$60.00
938 $aBaker and Taylor$bBTCP$n2005016783
938 $aIngram$bINGR$n9780253217899
938 $aYBP Library Services$bYANK$n2234146
994 $a92$bERR
976 $a31927000603198