Record ID | ia:voicethatchallen00free |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/voicethatchallen00free/voicethatchallen00free_marc.xml |
Download MARC binary | https://www.archive.org/download/voicethatchallen00free/voicethatchallen00free_meta.mrc |
LEADER: 04938cam 22007094a 4500
001 ocm53797147
003 OCoLC
005 20101123135720.0
008 030917s2004 nyua c bk 001 0beng
010 $a 2003019558
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050 00 $aML3930.A5$bF73 2004
082 00 $a782.1/092$222
082 04 $aB$222
084 $aAP 64200$2rvk
100 1 $aFreedman, Russell.
245 14 $aThe voice that challenged a nation :$bMarian Anderson and the struggle for equal rights /$cby Russell Freedman.
260 $aNew York :$bClarion Books,$cc2004.
300 $a114 p. :$bill. ;$c26 cm.
504 $aIncludes bibliographical references (p. 101-103), discography (p. 105-106), and index.
505 0 $aEaster Sunday, April 9, 1939 -- Twenty-five cents a song -- A voice in a thousand -- Marian fever -- Banned by the DAR -- Singing to the nation -- Breaking barriers -- "What I had was singing."
520 $aIn the mid-1930s, Marian Anderson was a famed vocalist who had been applauded by European royalty and welcomed at the White House. But, because of her race, she was denied the right to sing at Constitution Hall in Washington, D.C. This is the story of her resulting involvement in the civil rights movement of the time. "A voice like yours," celebrated conductor Arturo Toscanini told contralto Marian Anderson, "is heard once in a hundred years." This insightful account of the great African American vocalist considers her life and musical career in the context of the history of civil rights in this country. Drawing on Anderson's own writings and other contemporary accounts, Russell Freedman shows readers a singer pursuing her art despite the social constraints that limited the careers of black performers in the 1920s and 1930s. Though not a crusader or a spokesperson by nature, Marian Anderson came to stand for all black artists-and for all Americans of color-when, with the help of such prominent figures as Eleanor Roosevelt, she gave her landmark 1939 performance on the steps of the Lincoln Memorial, which signaled the end of segregation in the arts. Carefully researched, expertly told, and profusely illustrated with contemporary photographs, here is a moving account of the life of a talented and determined artist who left her mark on musical and social history. Through her story, one of today's leading authors of nonfiction for young readers illuminates the social and political climate of the day and an important chapter in American history. Notes, bibliography, discography, index.
586 $aNewbery Honor Book, 2005.
600 10 $aAnderson, Marian,$d1897-1993$vJuvenile literature.
650 0 $aContraltos$zUnited States$vBiography$vJuvenile literature.
650 0 $aAfrican American singers$vBiography$vJuvenile literature.
650 0 $aAfrican Americans$xCivil rights$vJuvenile literature.
600 11 $aAnderson, Marian,$d1897-1993.
650 1 $aSingers.
650 1 $aAfrican Americans$vBiography.
650 1 $aWomen$vBiography.
655 4 $aJuvenile materials.
655 7 $aBiographie.$2swd
600 17 $aAnderson, Marian.$2swd
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/description/hm041/2003019558.html
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip048/2003019558.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0736/2003019558-b.html
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