MARC record from Internet Archive

LEADER: 05431cam 2200829Ma 4500
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003 OCoLC
005 20201016063811.0
008 970619s1998 nyu ob 001 0 eng d
006 m o d
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100 1 $aKeen, Suzanne.
245 10 $aVictorian renovations of the novel :$bnarrative annexes and the boundries of representation /$cSuzanne Keen.
260 $aNew York :$bCambridge University Press,$c1998.
300 $a1 online resource (xii, 242 pages)
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490 1 $aCambridge studies in nineteenth-century literature and culture ;$v15
504 $aIncludes bibliographical references (pages 217-238) and index.
588 0 $aPrint version record.
505 0 $a1. Narrative annexes: altered spaces, altered modes -- 2. Victorian critics, narrative annexes, and prescriptions for the novel -- 3. Norms and narrow spaces: the gendering of limits on representation -- 4. Narrative annexes, social mobility, and class anxiety -- 5. Older, deeper, further: narrative annexes and the extent of the Condition of England -- 6. Victorian annexes and modern form.
520 $aThis study of narrative technique in Victorian novels introduces the concept of 'narrative annexes' whereby unexpected characters, impermissible subjects and plot-changing events are introduced within fictional worlds which otherwise exclude them. They are marked by the crossing of borders into previously unrepresented places and new genres or modes, challenging Victorian cultural and literary norms. Suzanne Keen's original readings of novels by Charlotte Brontë, Dickens, Disraeli, Hardy, Kingsley, Trollope, and Wells show these writers negotiating the boundaries of representation to reveal in narrative annexes the subjects (notably sexuality and social class) which contemporary critics sought to exclude from the realm of the novel. Fears of disease, of working men, of Popery, of dark-skinned 'others', of the poor who toil and starve in close proximity to the rectories, homes, clubs and walled gardens of Victorian polite society draw readers down narrow alleys, through thorny hedges, across desolate heaths, into narrative annexes.
650 0 $aEnglish fiction$y19th century$xHistory and criticism.
650 0 $aLiterature and society$zGreat Britain$xHistory$y19th century.
650 0 $aMimesis in literature.
650 0 $aNarration (Rhetoric)
650 7 $aLITERARY CRITICISM$xEuropean$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 07 $aEnglish fiction$y19th century$xHistory and criticism.$2cct
650 07 $aLiterature and society$zGreat Britain$xHistory$y19th century.$2cct
650 07 $aMimesis in literature.$2cct
650 07 $aNarration (Rhetoric)$2cct
650 7 $aEnglish fiction.$2fast$0(OCoLC)fst00910817
650 7 $aLiterature and society.$2fast$0(OCoLC)fst01000096
650 7 $aMimesis in literature.$2fast$0(OCoLC)fst01896075
650 7 $aNarration (Rhetoric)$2fast$0(OCoLC)fst01032927
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a1800-1899$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aKeen, Suzanne.$tVictorian renovations of the novel.$dNew York : Cambridge University Press, 1998$z0521583446$w(DLC) 97023903$w(OCoLC)37322095
830 0 $aCambridge studies in nineteenth-century literature and culture ;$v15.
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