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LEADER: 04470cam 22009854a 4500
001 ocm47623875
003 OCoLC
005 20130326132532.0
008 010717s2001 nyu b 001 0 eng
010 $a 2001041984
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050 00 $aML1380$b.T38 2001
082 00 $a780/.06$221
084 $a24.69$2bcl
084 $a71.43$2bcl
100 1 $aTaylor, Timothy Dean.
245 10 $aStrange sounds :$bmusic, technology & culture /$cTimothy D. Taylor.
260 $aNew York :$bRoutledge,$c2001.
300 $ax, 278 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [245]-269) and index.
505 00 $g1.$tWill the revolution be digitized --$g2.$tMusic, technology, agency, and practice --$g3.$tPostwar music and the technoscientific imaginary --$g4.$tMen, machines, and music in the space-age 1950s --$g5.$tTechnostalgia --$g6.$tA riddle wrapped in a mystery --$g7.$tMusic at home, politics afar --$g8.$tTurn on, tune in, trance out --$g9.$tAnxiety, consumption, and agency.
520 $aClearly technology has added a voice to music, but how does that voice affect the traditional human craftsmanship of music? Timothy Taylor addresses the anxieties provoked by the use of technology in music.
650 0 $aElectronic music$xHistory and criticism.
650 0 $aMusic and technology.
650 0 $aMusic$y20th century$xHistory and criticism.
650 0 $aMusic$y20th century$xPhilosophy and aesthetics.
650 6 $aMusique électronique$xHistoire et critique.
650 6 $aMusique et technologie.
650 6 $aMusique$y20e siècle$xHistoire et critique.
650 6 $aMusique$y20e siècle$xPhilosophie et esthétique.
650 17 $aElektronische muziek.$2gtt
650 17 $aDigitale technieken.$2gtt
650 17 $aInternet.$2gtt
650 17 $aCultuurverandering.$2gtt
650 07 $aMusik$2swd
650 07 $aDigitaltechnik$2swd
650 07 $aElektronische Musik$2swd
776 08 $iOnline version:$aTaylor, Timothy Dean.$tStrange sounds.$dNew York : Routledge, 2001$w(OCoLC)639657318
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0651/2001041984-d.html
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy1009/2001041984-b.html
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