MARC record from Internet Archive

LEADER: 03916cam 2200397Ia 4500
001 ocn294961158
003 OCoLC
005 20191003122944.0
008 081231s2008 nyua bc 000 0 eng d
010 $a 2008935709
040 $aGZQ$beng$cGZQ$dCAM$dPMC$dDLC$dUKTTE$dOCLCF$dOCLCO$dOCLCA$dOCLCQ$dOCLCO$dOCLCA$dJDP$dOCLCO
020 $a9781934260036
020 $a1934260037
035 $a(OCoLC)294961158
050 4 $aN6494.V53$bI67 2008
082 00 $a776/.607474771$222
100 1 $aInselmann, Andrea.
245 10 $aStop, look, listen :$ban exhibition of video works /$cAndrea Inselmann.
260 $aIthaca, N.Y. :$bHerbert F. Johnson Museum of Art, Cornell University,$c[2008]
300 $a184 pages :$bcolor illustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition "stop.look.listen: an exhibition of video works" organized by Andrea Inselmann and held at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., Oct. 13-Dec. 23, 2007, and the Haggerty Museum of Art, Marquette University, Milwaukee, Wis., Oct. 23, 2008-Feb. 22, 2009.
504 $aIncludes bibliographical references.
505 0 $aThe moving image in the university art museum : a model for the future / John G. Hanhardt -- Video and the enduring avant-garde : five moments / Michael Rush -- Form form to platform : hybrid spaces and media / Rudolf Frieling -- Moving pictures inside the museum / Andrea Inselmann -- stop.look.listen. : an exhibition of video works.
520 $aThe Herbert F. Johnson Museum of Art at Cornell University presents Stop. Look. Listen., an exhibition of video works in all temporary exhibition galleries, in the lobby, and projected on the building's fac ʹade. The exhibition marks five years of collecting in the area of video and continues the Museum's commitment to video as a vital part of its program. Stop. Look. Listen. seeks to consider the continuities between the two prevalent idioms-feedback and immersion-in video works of the last fifteen years. It focuses on pieces that have a significant relationship between sound and image, such as Salla Tykka 's and Jesper Just 's works that make use of existing soundtracks, or Mircea Cantor's Deeparture, that is purposefully silent. Within this treatment of sound and image, artists also address issues related to spectatorship and the represented and viewing body, such as the floating bodies in Janet Biggs 's Water Training, or the stumbling body in Patty Chang 's Losing Ground, or Janine Antoni 's balancing act in Touch. Using 25 works by 16 international artists, the exhibition illustrates that a multisensory response to the moving image can occur within both practices, feedback and immersion, as long as certain conditions within the image and the installations are fulfilled. Many of the featured works seek to destabilize traditional oppositions between viewer and viewed by emphasizing a more inclusive vision, in which the viewing body becomes a creative agent, thus proposing an emancipated viewer. Other artists represented in the exhibition are Burt Barr, Johanna Billing, Slater Bradley, Amy Globus, Amy Jenkins, Mads Lynnerup, Christian Marclay, Rodney McMillian, Anri Sala, and Saskia Olde Wolbers. The exhibition was curated by Andrea Inselmann, curator of modern and contemporary art at the Johnson Museum--Press release.
650 0 $aVideo art$vExhibitions.
650 7 $aVideo art.$2fast$0(OCoLC)fst01166389
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
710 2 $aHerbert F. Johnson Museum of Art.
710 2 $aPatrick and Beatrice Haggerty Museum of Art.
740 02 $aStop.look.listen, an exhibition of video works.
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 74 OTHER HOLDINGS