MARC record from Internet Archive

LEADER: 03871cam 2200829 i 4500
001 ocn961213772
003 OCoLC
005 20220811190536.0
008 161024t20172017nyu b 001 0 eng c
010 $a 2016029882
040 $aPUL$beng$erda$cPUL$dBDX$dOCLCF$dBTCTA$dDLC$dYDX$dCHVBK$dNYP$dIBA$dEQO$dUKMGB$dNJB$dOCLCO$dNJT$dOCLCA$dGYG$dVMY$dIL4J6$dOCLCO$dOCLCQ$dOCLCO
015 $aGBB785677$2bnb
016 7 $a018350056$2Uk
019 $a1201578792$a1201616157
020 $a9780190653675$q(hardcover ;$qalk. paper)
020 $a0190653671$q(hardcover ;$qalk. paper)
035 $a(OCoLC)961213772$z(OCoLC)1201578792$z(OCoLC)1201616157
042 $apcc
043 $an-us---
050 00 $aPN2260.M37$bC55 2017
082 00 $a792.0973/09034$223
100 1 $aChinn, Sarah E.,$eauthor.
245 10 $aSpectacular men :$brace, gender, and nation on the early American stage /$cSarah E. Chinn.
264 1 $aNew York, NY :$bOxford University Press,$c[2017]
264 4 $c©2017
300 $axi, 249 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
386 $mGender group:$ngdr$aWomen$2lcdgt
386 $mNationality/regional group:$nnat$aAmericans$2lcdgt
386 $mOccupational/field of activity group:$nocc$aUniversity and college faculty members$2lcdgt
504 $aIncludes bibliographical references (pages 215-240) and index.
505 00 $tIntroduction: "advancing the interests of private and political virtue": the stakes of the early American stage --$t"The imitation of life": how men act --$tAmerican actors/acting American --$t"O patriotism!/ thou wond'rous principle of God-like action!": the changing meanings of the Revolution --$tLove and death: staging indigenous masculinity --$tTyrants, republicans, and rebels: performing Roman masculinities --$tEpilogue: from sons of liberty to wage slaves.
650 0 $aTheater$zUnited States$xHistory$y18th century.
650 0 $aTheater$zUnited States$xHistory$y19th century.
650 0 $aAmerican drama$y19th century$xHistory and criticism.
650 0 $aMasculinity in the theater$zUnited States$xHistory.
650 6 $aThéâtre$zÉtats-Unis$xHistoire$y18e siècle.
650 6 $aThéâtre$zÉtats-Unis$xHistoire$y19e siècle.
650 6 $aThéâtre américain$y19e siècle$xHistoire et critique.
650 7 $aAmerican drama.$2fast$0(OCoLC)fst00806998
650 7 $aMasculinity in the theater.$2fast$0(OCoLC)fst01894515
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aTheater$2gnd
650 7 $aDrama$2gnd
600 17 $aWeise, ...$2gnd
650 7 $aZuschauer$2gnd
650 7 $aVorbild$2gnd
650 7 $aIdentität$2gnd
650 7 $aMännlichkeit$2gnd
650 7 $aNationalbewusstsein$2gnd
650 7 $aPatriotismus$2gnd
650 7 $aArbeiterklasse$2gnd
651 7 $aUSA$2gnd
650 7 $aTheater$zUnited States$xHistory$y18th century.$2nli
650 7 $aTheater$zUnited States$xHistory$y19th century.$2nli
650 7 $aAmerican drama$y19th century$xHistory and criticism.$2nli
650 7 $aMasculinity in the theater$zUnited States$xHistory.$2nli
648 7 $a1700-1899$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aChinn, Sarah E.$tSpectacular men.$dNew York, NY : Oxford University Press, 2017$z9780190653682$w(DLC) 2016049094
938 $aBrodart$bBROD$n119703432
938 $aBaker and Taylor$bBTCP$nBK0020679618
938 $aYBP Library Services$bYANK$n13706364
029 1 $aCHDSB$b006721332
029 1 $aCHVBK$b488697891
029 1 $aUKMGB$b018350056
994 $aZ0$bIME
948 $hNO HOLDINGS IN IME - 190 OTHER HOLDINGS