MARC record from Internet Archive

LEADER: 06696cam 2200997Ma 4500
001 ocm70769045
003 OCoLC
005 20201107063437.0
008 010329s2001 ne a ob 001 0 eng d
006 m o d
007 cr cn|||||||||
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100 1 $aGross, Joan.
245 10 $aSpeaking in other voices :$ban ethnography of Walloon puppet theaters /$cJoan Gross.
260 $aAmsterdam, Netherlands ;$aPhiladelphia :$bJohn Benjamins,$c©2001.
300 $a1 online resource (xxviii, 337 pages) :$billustrations
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490 1 $aPragmatics & beyond,$x0922-842X ;$vnew ser. 91
504 $aIncludes bibliographical references (pages 297-315) and index.
546 $aEnglish.
588 0 $aPrint version record.
520 8 $aLinking actual instances of language use with structures of social power in francophone Belgium, Gross outlines the history and contemporary configuration of rod puppetry in Liège. The analysis of this working class performance art moves between what occurs on and off stage. As puppeteers speak in other voices, sometimes in Walloon and sometimes in French, they create a sociolinguistic model based on 19th century renditions of medieval texts, the voices of past puppeteers, and the language that surrounds them. The high level of linguistic reflexivity created by the regional language movement has led to frequent metalinguistic and metapragmatic commentaries within the puppet shows. This complex speech genre embedded in social context shows the influence of identity struggles: from local class oppositions to imperial designs abroad. Keeping a tight focus on language, Speaking in Other Voices examines the process of entextualization and recontextualization as stories of war and religion are transmitted to succeeding generations.
505 0 $aSPEAKING IN OTHER VOICES -- Editorial page -- Title page -- LCC data -- Dedication -- Table of Contents -- List of Photographs -- List of charts and excerpts from scripts, performances and Walloon literature -- Preface -- Acknowledgements -- CHAPTER 1: Introduction -- CHAPTER 2: Heteroglossia in Liège -- CHAPTER 3: Class and Culture in 19th Century Liège and the Rise of the Puppet Theater -- CHAPTER 4: Manipulations and Transformations -- CHAPTER 5: Past Voices in the Present and the Practice of Puppetry -- CHAPTER 6: Entextualization / Intertextuality -- CHAPTER 7: Closing Intertextual Gaps.
505 8 $aCHAPTER 8: Embodying Identities -- CHAPTER 9: Religion and War -- CHAPTER 10: The World of Puppets, The World of Puppeteers: Politics in Performance -- Conclusion -- Notes -- Appendix 1: Decallais Collection -- List of Published References -- Archival Sources -- Index -- The PRAGMATICS AND BEYOND NEW SERIES.
650 0 $aPuppet theater$zBelgium$zWallonia$xHistory.
650 0 $aPuppet theater$zBelgium$zLiège$xHistory.
650 0 $aPuppet plays, French$zBelgium$zWallonia$xHistory and criticism.
650 7 $aLANGUAGE ARTS & DISCIPLINES.$2bisac
650 7 $aLinguistics / General.$2bisac
650 7 $aCRAFTS & HOBBIES$xPuppets & Puppetry.$2bisacsh
650 7 $aPERFORMING ARTS$xPuppets & Puppetry.$2bisacsh
650 7 $aPuppet plays, French.$2fast$0(OCoLC)fst01084197
650 7 $aPuppet theater.$2fast$0(OCoLC)fst01084220
651 7 $aBelgium$zLiège.$2fast$0(OCoLC)fst01207176
651 7 $aBelgium$zWallonia.$2fast$0(OCoLC)fst01228042
650 17 $aPoppenspel.$2gtt
650 17 $aFrans.$2gtt
650 17 $aDiscourse analysis.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aGross, Joan.$tSpeaking in other voices.$dAmsterdam, Netherlands ; Philadelphia : John Benjamins, ©2001$w(DLC) 2001035021
830 0 $aPragmatics & beyond ;$vnew ser. 91.$x0922-842X
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