MARC record from Internet Archive

LEADER: 07309cam 2200829Ia 4500
001 ocn172942808
003 OCoLC
005 20200109072838.0
008 070917s2000 enka o 001 0 eng d
006 m o d
007 cr cnu---unuuu
010 $z 00035462
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019 $a171132056$a176887305$a505117682$a648265742$a858460648$a1103262955$a1129360989
020 $a9780080517414$q(electronic bk.)
020 $a0080517412$q(electronic bk.)
020 $a9781136120770
020 $a1136120777
020 $z0240515951$q(alk. paper)
020 $z9780240515953
035 $a(OCoLC)172942808$z(OCoLC)171132056$z(OCoLC)176887305$z(OCoLC)505117682$z(OCoLC)648265742$z(OCoLC)858460648$z(OCoLC)1103262955$z(OCoLC)1129360989
037 $aCL0500000285$bSafari Books Online
050 4 $aTR851$b.M43 2000eb
072 7 $aPHO$x022000$2bisacsh
072 7 $aART$x057000$2bisacsh
082 04 $a778.59$222
100 1 $aMellor, David,$d1955-
245 12 $aA sound person's guide to video /$cDavid Mellor.
260 $aOxford ;$aBoston :$bFocal Press,$c2000.
300 $a1 online resource (vii, 288 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aIncludes index.
588 0 $aPrint version record.
520 $aAn essential guide to all aspects of video technology for sound technicians wishing to broaden their knowledge. It explains in a highly readable and engaging way, the key technologies and issues, as well as the terms, acronyms and definitions. Although intended for the sound professional, this book will also appeal to anyone involved in working with video. Everything is covered: from how television and video cameras work to digital video recording, electronic news gathering, nonlinear editing, video effects as well as telecine, widescreen technology and the home cinema. The book also takes a lo.
505 0 $aFront Cover; A Sound Person's Guide to Video; Copyright Page; Contents; Foreword; 1. The origins of television and video; In the beginning; Scanning; The coming of colour; A new standard; Video; 2. The magic of television; Colour television; 3. Video recording -- the impossible dream; Early developments; Helical scan; U-Matic; Domestic video formats; 4. The electronic eye; Part 1: Camera basics; Tube cameras; Charge-coupled devices; The colour camera; Part 2: The modern camera; Hyper HAD; Into digits; Master Set-up Unit; 5. ENG and Betacam SP; Betacam
505 8 $aCompressed time division multiplexed systemAudio in Betacam; The future; 6. Digital video; D1; D1 error protection; D2; D3 and D5; Why so many formats?; DV and DVCPRO; Small is beautiful; Nuts and bolts; DVCPRO; Digital cinematography; Step up from SP; Compression; Yet another format?; The kit; The accessories; 7. Standards conversion; Three problems; Sampling; Composite video; Interpolation; Motion compensation; Comparing standards converters; 8. The video monitor; Sync and scan; Antenna to CRT; Display technology; The shadow mask; Progressive scan; Flat panel displays; LCD; Plasma displays
505 8 $aFuture technologies9. Home cinema; The vision; Audio; Virtual Surround; 10. Nonlinear editing; Offline/online; Timeline; Integration; 11. JPEG and MPEG2 image compression; JPEG; Discrete cosine function; Entropy coding; Results; JPEG for moving pictures; MPEG2; Syntax and semantics; Spatial and temporal compression; Motion estimation prediction; Profiles and levels; Applications; 12. Digital television; Digital television in the UK; Digital video; Broadcasting; Possibilities; On demand; The consumer angle; Widescreen; Conclusion; Digital television in the USA; Technical issues; 13. Film
505 8 $aA brief history of filmMeanwhile in France...; The coming of sound; Widescreen; Sideways look; Colour; 3D; Why film will prosper; 14. Film stock, film laboratories; Formats; Types; Intermediate and print film; Laboratories; Rushes; Printing; Editing and regrading; Release print; 15. Cinema technology; Lamphouse; Reels and platters; Lenses; Sound head; Cinema systems; 16. IMAX; The camera; Projection; The IMAX cinema; Post-production; 17. Telecine; Film feats; Technology; Cathode ray tube; Scanning; Digital processing; High resolution; 18. Pulldown; 29.97; PAL pulldown; So what should you do?
505 8 $aA new frame rate?19. Lighting technology; Film and video lighting; Lamps glow, bulbs grow; HMI; Broads, Blondes and Redheads; Moving light, changing colour -- performance lighting; To boldly gobo; 20. The art of bluescreen; Rotoscoping; Ultimatte; Motion control; Appendix 1: The science of colour; Light; The eye; Subtractive colour mixing; Additive colour mixing; Colour triangle; Colour temperature; Appendix 2: Timecode: the link between sight and sound; The nature of timecode; Types of timecode; Timecode generation; Sound and picture, working together; Finger sync; Code-only master
650 0 $aVideo recording.
650 0 $aSound$xRecording and reproducing.
650 7 $aPHOTOGRAPHY$xTechniques$xCinematography & Videography.$2bisacsh
650 7 $aART$xFilm & Video.$2bisacsh
650 7 $aSound$xRecording and reproducing.$2fast$0(OCoLC)fst01126957
650 7 $aVideo recording.$2fast$0(OCoLC)fst01166452
655 4 $aElectronic books.
776 08 $iPrint version:$aMellor, David, 1955-$tSound person's guide to video.$dOxford ; Boston : Focal Press, 2000$z0240515951$z9780240515953$w(DLC) 00035462$w(OCoLC)43706816
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856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/els031/00035462.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/els031/00035462.html
856 4 $3Volltext$uhttp://proquest.tech.safaribooksonline.de/9780240515953$xVerlag
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948 $hNO HOLDINGS IN P4A - 152 OTHER HOLDINGS