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LEADER: 08941cam 2200961Ma 4500
001 ocn252665175
003 OCoLC
005 20181125212830.0
008 010606s2002 enka ob 001 0deng d
006 m o d
007 cr zn|||||||||
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020 $a0198031939$q(electronic bk.)
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020 $a9786610834839
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020 $z0195139542$q(Cloth)
020 $z9780195139549
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072 7 $aMUS$x046000$2bisacsh
072 7 $aAVA$2bicssc
082 04 $a782.1/4/092$221
084 $aLP 94337$2rvk
245 04 $aThe Richard Rodgers reader /$cedited by Geoffrey Block.
260 $aOxford :$bOxford University Press,$c2002.
300 $a1 online resource (xii, 356 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aReaders on American musicians
500 $aIncludes index.
504 $aIncludes bibliographical references and indexes.
505 00 $gpt. 1 Rodgers and Hart, 1919-1943 :$tThe age of Rodgers and Hart /$rEthan Mordden --$t"My heart stood still" : Gerald Mast ; Richard Rodgers ; Philip Furia ; Alec Wilder ; Allen Forte --$gfrom$tLetters to Dorothy, 1926-1937 and A Personal Book /$rDorothy Rodgers --$tChee-Chee, the castration musical /$rRichard Rodgers,$rLorenz Hart --$tCover story : "The boys from Columbia" /$rTime Magazine --$t"Words and music : Rodgers and Hart" /$rMargaret Case Harriman --$tPal Joey : drawing "sweet water from a foul well" /$rBrooks Atkinson --$t"Not a few of his songs were left on the cutting room floor" /$rStanley Green --$tRemembering Rodgers and Hart /$rOscar Hammerstein.
505 00 $gpt. 2 Rodgers and Hammerstein, 1943-1960 :$t"As corny as Kansas in August, as restless as a willow in a windstorm" /$rGerald Mast --$g"The$twork that changed the form" /$rEthan Mordden --$tThe theatre guild presents Oklahoma! and Carousel /$rLawrence Langner --$t"R. and H." /$rAgnes De Mille -- "What is a Richard Rodgers?" /$rJoshua Logan --$t"There's hope for everyone" /$rMary Martin --$tThe art of adaptation /$rLehman Engel --$tRethinking Pal Joey /$rBrooks Atkinson --$g"The$tAmerican musical" /$rEric Bentley --$g"The$tmusical stage" /$rGeorge Jean Nathan --$t"Moving in the direction of opera" /$rLeonard Bernstein --$tA few favorite things about Rodgers with Hammerstein /$rAlec Wilder --$g"The$tnicest guys in show business" /$rCleveland Amory --$t"Introduction" to Richard Rodgers /$rDavid Ewen.
505 00 $gpt. 3 Rodgers after Hammerstein, 1960-1979 :$t"You can't force it" /$rWinthrop Sargeant --$t"Rodgers without Hammerstein" /$rArthur Gelb,$rBarbara Gelb --$t"Richard Rodgers is calling" /$rDiahann Carroll --$g"The$tless said, the better" /$rCraig Zadan --$g"The$tplot against musicals" /$rWalter Kerr --$tThe perils of producing Rex /$rRichard Adler --$tAnatomy of a flop : Pipe Dream, Do I Hear a Waltz?, Rex, and I Remember Mama /$rKen Mandelbaum --$t"Overture" to Richard Rodgers /$rWilliam G. Hyland --$t"Introduction" to Musical Stages /$rMary Rodgers Guettel.
505 00 $gpt. 4 The composer speaks, 1939-1971 :$t"How to write music in no easy lessons : A Self Interview" [1939] --$t"Introduction" to The Rodgers and Hart Song Book [1951] --$t"Jerome Kern : a tribute" [1951] --$t"Pal Joey : history of a 'heel'" [1951] --$g"The$tright to revive" (or "Revive and let live") [1954] --$t"Cancer? I've had it!" [1957] --$t"Introduction" (with Oscar Hammerstein) to The Rodgers and Hammerstein Song Book [1958] --$t"Hammerstein : words by Rodgers" [1960] --$t"Opera and Broadway" [1961] --$t"Now the musical theater is enshrined" [1964] --$g"A$tcomposer looks at his lyricists" [1967] --$tReminiscences of Richard Rodgers [1969] : Pal Joey ; Endings and beginnings ; Words and Music ; Allegro ; South Pacific ; Pipe Dream ; Flower Drum Song ; The Sound of Music ; No Strings ; Do I hear a waltz? --$g"The$tBroadway audience is still there, waiting for more good shows" [1971].
588 0 $aPrint version record.
520 $aRichard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hamme.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[S.l.] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
600 10 $aRodgers, Richard,$d1902-1979$xCriticism and interpretation.
650 7 $aMUSIC$xGenres & Styles$xMusicals.$2bisacsh
600 17 $aRodgers, Richard,$d1902-1979.$2fast$0(OCoLC)fst00016422
650 7 $aAufsatzsammlung$2gnd
600 17 $aRodgers, Richard.$2swd
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aBlock, Geoffrey Holden,$d1948-
776 08 $iPrint version:$tRichard Rodgers reader.$dOxford : Oxford University Press, 2002$w(DLC) 2001037505
830 0 $aReaders on American musicians.
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