It looks like you're offline.
Open Library logo
additional options menu

MARC record from Internet Archive

LEADER: 03364cam 2200601Ii 4500
001 ocn851826073
003 OCoLC
005 20211122083541.0
008 130520s2013 enk b 001 0 eng d
040 $aUKMGB$beng$cUKMGB$dOCLCO$dBDX$dYDXCP$dSINIE$dH9Z$dLMR$dOCLCF$dTWS$dCHVBK$dOCLCQ$dUKMGB
015 $aGBB357436$2bnb
016 7 $a016443828$2Uk
019 $a840477675
020 $a9781137354990$q(pbk.)
020 $a1137354992
020 $a9781137354990
035 $a(OCoLC)851826073$z(OCoLC)840477675
043 $an-us---
050 14 $aPN1995.9.W6$bG745 2013
082 04 $a791.436522$223
100 1 $aGreven, David,$eauthor.
245 10 $aRepresentations of femininity in American genre cinema :$bthe woman's film, film noir, and modern horror /$cDavid Greven.
250 $aFirst Palgrave Macmillan paperback edition.
264 1 $aBasingstoke :$bPalgrave Macmillan,$c2013.
300 $a214 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : Femininity and film genres -- pt. I. Freud and classical Hollywood. Freud and the death-mother : Freud, the woman's film, and modern horror -- Transformations of the woman's film : or, feminine myths -- pt. II. Modern horror. Preface to Part II : Modern horror as the concealed woman's film -- Medusa in the mirror : Brian De Palma's Carrie -- Demeter and Persophone in space : transformation, femininity, and myth in the Alien films -- The finalizing woman : horror, femininity, and queer monsters -- Coda : The Brave One.
520 $aThe theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory marriage plot. A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo Road to Carrie, the Alien films, The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation. -- Publisher.
650 0 $aFemininity in motion pictures.
650 0 $aWomen in motion pictures.
650 0 $aMotion pictures$zUnited States.
650 7 $aFemininity in motion pictures.$2fast$0(OCoLC)fst01903226
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aWomen in motion pictures.$2fast$0(OCoLC)fst01177931
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aFilm noir.$0(DE-588)4116435-0$2gnd
650 7 $aFrauenfilm.$0(DE-588)4125060-6$2gnd
650 7 $aHorrorfilm.$0(DE-588)4127415-5$2gnd
650 7 $aWeiblichkeit.$0(DE-588)4232374-5$2gnd
650 7 $aFrau.$0(DE-588)4113617-2$2gnd
651 7 $aUSA.$0(DE-588)4078704-7$2gnd
938 $aBrodart$bBROD$n106832174
938 $aYBP Library Services$bYANK$n10580923
029 1 $aAU@$b000052958069
029 1 $aCHDSB$b006279226
029 1 $aCHVBK$b31972185X
029 1 $aUNITY$b132397048
029 1 $aUKMGB$b016443828
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 97 OTHER HOLDINGS