MARC record from Internet Archive

LEADER: 05198cam 2200829 a 4500
001 ocn123377283
003 OCoLC
005 20211007034235.0
008 070406s2007 mdua bc 001 0 eng
010 $a 2007015023
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043 $ae-fr---
050 00 $aND547$b.R38 2007
082 00 $a759.4$222
084 $aLM 83380$2rvk
245 04 $aThe repeating image :$bmultiples in French painting from David to Matisse /$cedited by Eik Kahng ; with contributions by Stephen Bann [and others].
250 $aHardcover ed.
260 $aBaltimore :$bWalters Art Museum ;$aNew Haven :$bDistributed by Yale University Press,$c©2007.
300 $a200 pages :$billustrations (some color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition entitled "Déjà Vu? Revealing Repetition in French Masterpieces," at the Walters Art Museum, Oct. 7, 2007-Jan. 1, 2008 and at the Phoenix Museum of Art, Jan. 20-May 4, 2008.
505 0 $aRepetition as symbolic form / Eik Kahng -- Reassessing repetition in nineteenth-century academic painting : Delaroche, Gérôme, Ingres / Stephen Bann -- Strategies of repetition : Millet/Corot / Simon Kelly -- The predications and implications of Monet's series / Charles Stuckey -- Risible Cezanne / Richard Shiff -- The Matisse grid / Jeffrey Weiss.
500 $aIncludes index.
520 1 $a"Today, repetitive imagery dominates all forms of visual experience, from the realm of advertising to the spaces of contemporary art. In this innovative project, the authors show that the phenomenon of repetition - often considered merely incidental to the age of mechanical reproduction - was a pervasive attribute of early modern painting long before its embrace by twentieth-century high modernism." "In works by David, Ingres, Delaroche, Gerome, Corot, Millet, Monet, Cezanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the nineteenth and early twentieth centuries. The authors demonstrate that by making multiples of closely related subject matter in their paintings and in other media, these artists challenged an aesthetic based on the notion of an inimitable, unique masterpiece." "Through beautiful illustrations and essays by leading scholars, this book shows how repetition in early modern painting took on a complex, multivalent significance and that the traditional medium of painting remained undiminished despite the nineteenth-century invention of photography and film."--Jacket.
504 $aIncludes bibliographical references and index.
650 0 $aPainting, French$y19th century$vExhibitions.
650 0 $aPainting, French$y20th century$vExhibitions.
650 0 $aRepetition (Aesthetics)$vExhibitions.
650 7 $aPainting, French.$2fast$0(OCoLC)fst01050830
650 7 $aRepetition (Aesthetics)$2fast$0(OCoLC)fst01094805
650 7 $aMalerei$2gnd
610 27 $aVariation$gMusikgruppe$2gnd
651 7 $aFrankreich$2gnd
648 7 $aGeschichte 1790-1940$2swd
648 7 $a1800-1999$2fast
655 4 $aAusstellung$zBaltimore (Md.)$y2007.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aAusstellungskatalog$y2007$zBaltimore Md.$0(DE-588)4135467-9$2gnd
655 7 $aExhibition catalogs.$2lcgft
700 1 $aKahng, Eik,$d1963-
700 1 $aBann, Stephen.
710 2 $aWalters Art Museum (Baltimore, Md.)
710 2 $aPhoenix Museum of Art.
776 08 $iOnline version:$tRepeating image.$bHardcover ed.$dBaltimore : Walters Art Museum ; New Haven : Distributed by Yale University Press, ©2007$w(OCoLC)608456314
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0715/2007015023.html
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016097105&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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