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LEADER: 04808cam 2200817Ia 4500
001 ocn882605962
003 OCoLC
005 20220518130453.0
008 140704s2014 enk ob 001 0 eng d
006 m o d
007 cr cnu---unuuu
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019 $a892574539$a1128011593$a1128246772$a1298444151
020 $a9780191024740$q(electronic bk.)
020 $a0191024740$q(electronic bk.)
020 $a9780191783180
020 $a0191783188
020 $z9780199572410$q(Cloth)
020 $z0199572410$q(Cloth)
035 $a(OCoLC)882605962$z(OCoLC)892574539$z(OCoLC)1128011593$z(OCoLC)1128246772$z(OCoLC)1298444151
050 4 $aML3790
072 7 $aBUS$x070000$2bisacsh
082 04 $a338.5$b23$222
100 1 $aLeyshon, Andrew.
245 10 $aReformatted :$bCode, networks, and the transformation of the music industry /$cAndrew Leyshon.
246 30 $aCode, networks, and the transformation of the music industry
260 $aOxford :$bUniversity Press,$c2014.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aPrint version record.
520 8 $aThis book provides a theoretically grounded account of the impact of digital technology on the music business, and develops the concept of the musical network to understand the transformation of this economy over space and through time.
504 $aIncludes bibliographical references and index.
505 0 $aCrisis? What Crisis? -- Time-Space (and Digital) Compression : Software Formats, Musical Networks, and the Reorganization of the Music Industry -- Scary Monsters? Software Formats, Peer-to-Peer Networks, and the Spectre of the Gift -- On the Reproduction of the Musical Economy after the Internet -- The Software Slump?: Digital Music, the Democratization of Technology, and the Decline of the Recording Studio Sector Within the Musical Economy -- A Social Experiment in the Musical Economy : Terra Firma, EMI and Calling Creativity to Account -- Afterword.
650 0 $aMusic trade$xEconomic aspects.
650 0 $aMusic and the Internet$xEconomic aspects.
650 6 $aMusique$xIndustrie$xAspect économique.
650 6 $aMusique et Internet$xAspect économique.
650 7 $aBUSINESS & ECONOMICS$xIndustries$xGeneral.$2bisacsh
650 7 $aMusic trade.$2fast$0(OCoLC)fst01030641
650 7 $aDigitaltechnik$2gnd
650 7 $aMusikwirtschaft$2gnd
650 7 $aIndustrie de la musique et du son.$2ram
650 7 $aInternet$xAspect économique.$2ram
650 7 $aMusique sur Internet.$2ram
650 7 $aWebdiffusion.$2ram
650 7 $aMusikwirtschaft.$0(DE-601)091379032$0(DE-STW)18448-1$2stw
650 7 $aMusikproduktion.$0(DE-601)672342170$0(DE-STW)29446-1$2stw
650 7 $aInformationstechnik.$0(DE-601)091367611$0(DE-STW)16757-5$2stw
650 7 $aWirtschaftsgeographie.$0(DE-601)091400953$0(DE-STW)15902-6$2stw
650 7 $aWelt.$0(DE-601)09140004X$0(DE-STW)16809-5$2stw
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aLeyshon, Andrew.$tReformatted: Code.$dOUP Oxford, 2014$z9780199572410
856 40 $3EBSCOhost$uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=795223
856 40 $3Oxford scholarship online$uhttps://doi.org/10.1093/acprof:oso/9780199572410.001.0001
856 40 $3Oxford Scholarship Online$uhttp://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199572410.001.0001/acprof-9780199572410
856 40 $3Oxford scholarship online$uhttp://www.library.yorku.ca/e/resolver/id/2571260
856 40 $uhttps://doi.org/10.1093/acprof:oso/9780199572410.001.0001$zOxford Scholarship Online
856 40 $uhttps://doi.org/10.1093/acprof:oso/9780199572410.001.0001$zView full text.
856 41 $3VLeBooks$uhttps://passport01.leeds.ac.uk/idp/shibboleth&target=https://shibboleth2sp.gar.semcs.net/shib?dest=http%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DLeedsUni%252526isbn%25253D9780191024740
856 42 $uhttp://lib.leeds.ac.uk/record=b3456056$zThis title is also available in print. Click here.
938 $aCoutts Information Services$bCOUT$n28463601
938 $aEBSCOhost$bEBSC$n795223
938 $aOxford University Press USA$bOUPR$nEDZ0000401039
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948 $hHELD BY P4A - 737 OTHER HOLDINGS