MARC record from Internet Archive

LEADER: 02142cam a2200493 4500
001 9912438012005897
005 20200409154810.0
008 690408s1969 inu b 001 0 eng
010 $a68029296
016 7 $a003270885$2Uk
019 $a221061206$a977310401
035 $a670438-01carli_network
035 $a(OCoLC)ocm00001923$z(OCoLC)221061206$z(OCoLC)977310401
035 $a(EIUdb)14576
035 $a(EXLNZ-01CARLI_NETWORK)991033499049705816
040 $aDLC$beng$cDLC$dUV$$dBTCTA$dOCLCG$dGBVCP$dOCLCO$dUKMGB$dOCLCF$dOCLCQ$dTPA$dOCL$dOCLCO$dCNUTO$dEIUdb
049 $aIADA
050 00 $aPN1657$b.S3
082 00 $a792/.015
100 1 $aSchechner, Richard,$d1934-
245 10 $aPublic domain;$bessays on the theater.
260 $aIndianapolis,$bBobbs-Merrill$c[1969]
300 $a244 pages$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 0 $aExit thirties, enter sixties -- Ford, Rockefeller, and theatre -- Approaches -- In warm blood : the bacchae -- There's lots of time in Godot -- Megan Terry : the playwright as wrighter -- Pornography and the new expression -- Happenings -- Six axioms for environmmental theatre -- Negotiations with environment -- Public events for the radical theatre -- The politics of ecstasy.
530 $aAlso issued online.
583 $acommitment to retain$c20151204$2pda$5OTUTLD
650 0 $aTheater$xHistory.
650 0 $aDrama$xHistory and criticism.
650 7 $aDrama.$2fast$0(OCoLC)fst00897468
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
653 0 $aDrama$aHistory and criticism
653 0 $aTheater$aHistory
655 7 $aDrama.$2fast$0(OCoLC)fst01423879
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aDrama.$2lcgft
776 08 $iOnline version:$aSchechner, Richard, 1934-$tPublic domain.$dIndianapolis, Bobbs-Merrill [1969]$w(OCoLC)573239622
959 $a(EIUdb)14576
959 $a(UICdb)124380$9LOCAL
994 $a92$bIAD