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LEADER: 05647cam 2201117 a 4500
001 ocm41977330
003 OCoLC
005 20201016022603.0
008 990720s2000 miua b s001 0 eng
010 $a 99041382
040 $aDLC$beng$cDLC$dLVB$dUKM$dBAKER$dNLGGC$dBTCTA$dYDXCP$dGEBAY$dILU$dBDX$dOCLCF$dDEBBG$dOCLCQ$dOCLCO$dOCLCQ$dCSJ$dOCLCO$dOCLCQ$dBGU$dUKMGB$dOCLCQ$dOCLCA
015 $aGBA215469$2bnb
016 7 $a012668047$2Uk
019 $a1022614356
020 $a0814326633$q(alk. paper)
020 $a9780814326633$q(alk. paper)
035 $a(OCoLC)41977330$z(OCoLC)1022614356
043 $ae-uk---
050 00 $aPR858.S615$bG67 2000
082 00 $a823/.609353$221
084 $a18.05$2bcl
084 $aHK 1301$2rvk
084 $aHL 1031$2rvk
084 $afn g13z$2sdnb
100 1 $aGores, Steven J.
245 10 $aPsychosocial spaces :$bverbal and visual readings of British culture, 1750-1820 /$cSteven J. Gores.
260 $aDetroit, Mich. :$bWayne State University Press,$c©2000.
300 $a223 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 207-220) and index.
505 00 $g1.$tThe Historical Context: Subjectivity and Circulation in Eighteenth-Century England --$g2.$tCirculation and Specularity in Social Space --$g3.$tThe Ruin as Object of Desire: The Recess, Visual Art, and Historical Space --$g4.$tErotic Space: Amelia and the Miniature.
520 1 $a"Gores first analyzes Tobias Smollett's Humphry Clinker and Jane Austen's Persuasion in conjunction with visual evidence of social settings they contain, such as the London pleasure gardens of Ranelagh and Vauxhall. Through this analysis, he describes how assertions of identity and rank were becoming more complicated as social space was shaped by the architectural articulation of space and the codification of etiquette."
520 8 $a"He next examines Sophia Lee's novel The Recess, along with prints and sketches of ruins, to place the monastic ruin at the focus of desire to repress discontinuity in the past, which in turn permitted individuals to conceive of constructing identity based on genealogy. Then, through a study of Henry Fielding's Amelia, he discusses portrait miniatures and silhouettes as fetishized symbols of erotic ties, showing how images of a beloved, with their promises for the future, were used as a basis for constructing individual identity."--Jacket.
650 0 $aEnglish fiction$y18th century$xHistory and criticism.
650 0 $aSocial psychology and literature$zGreat Britain$xHistory$y18th century.
650 0 $aSocial psychology and literature$zGreat Britain$xHistory$y19th century.
650 0 $aEnglish fiction$y19th century$xHistory and criticism.
651 0 $aGreat Britain$xSocial life and customs$y18th century.
651 0 $aGreat Britain$xSocial life and customs$y19th century.
650 0 $aIdentity (Psychology) in literature.
650 0 $aSubjectivity in literature.
650 0 $aSocial psychology in art.
650 0 $aSelf in literature.
650 0 $aArt, British.
650 6 $aRoman anglais$y18e siècle$xHistoire et critique.
650 6 $aPsychologie sociale et littérature$zGrande-Bretagne$xHistoire$y18e siècle.
650 6 $aPsychologie sociale et littérature$zGrande-Bretagne$xHistoire$y19e siècle.
650 6 $aRoman anglais$y19e siècle$xHistoire et critique.
650 6 $aIdentité (Psychologie) dans la littérature.
650 6 $aSubjectivité dans la littérature.
650 6 $aPsychologie sociale dans l'art.
650 6 $aMoi (Psychologie) dans la littérature.
650 6 $aArt britannique.
651 6 $aGrande-Bretagne$xMœurs et coutumes$y18e siècle.
651 6 $aGrande-Bretagne$xMœurs et coutumes$y19e siècle.
650 7 $aArt, British.$2fast$0(OCoLC)fst00816044
650 7 $aEnglish fiction.$2fast$0(OCoLC)fst00910817
650 7 $aIdentity (Psychology) in literature.$2fast$0(OCoLC)fst00966910
650 7 $aManners and customs.$2fast$0(OCoLC)fst01007815
650 7 $aSelf in literature.$2fast$0(OCoLC)fst01111462
650 7 $aSocial psychology and literature.$2fast$0(OCoLC)fst01122835
650 7 $aSocial psychology in art.$2fast$0(OCoLC)fst01122837
650 7 $aSubjectivity in literature.$2fast$0(OCoLC)fst01136579
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
650 17 $aFictie.$2gtt
650 17 $aEngels.$2gtt
650 17 $aSociale psychologie.$2gtt
650 17 $aSociale identiteit.$2gtt
650 17 $aSubjectiviteit.$2gtt
650 17 $aZelf.$2gtt
650 17 $aKunst.$2gtt
650 7 $aEnglisch$2gnd
650 7 $aKultur$2gnd
650 7 $aRoman$2gnd
650 7 $aSoziale Identität$2gnd
651 7 $aGroßbritannien$2gnd
650 07 $aGeschichte 1750-1820.$2swd
650 07 $aRoman.$2swd
651 7 $aEnglisch.$2swd
648 7 $a1700-1899$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
938 $aBaker & Taylor$bBKTY$c44.95$d44.95$i0814326633$n0003354129$sactive
938 $aBrodart$bBROD$n53066332$c$39.95
938 $aBaker and Taylor$bBTCP$n99041382
938 $aYBP Library Services$bYANK$n1509636
029 1 $aAU@$b000020359868
029 1 $aDEBBG$bBV013466374
029 1 $aGEBAY$b6340323
029 1 $aNLGGC$b174316844
029 1 $aUKMGB$b012668047
029 1 $aYDXCP$b1509636
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 247 OTHER HOLDINGS