MARC record from Internet Archive

LEADER: 04837cam a2200925 a 4500
001 9978216012005897
005 20200409141415.0
008 921125s1993 ctua b 001 0 eng
010 $a92050988
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016 7 $a030-00551$2uk
019 $a28215983$a877736415
020 $a0300055153
020 $a9780300055153
020 $a0300055161$q(pbk.)
020 $a9780300055160$q(pbk.)
035 $a396554-01carli_network
035 $a(OCoLC)ocm27226970$z(OCoLC)28215983$z(OCoLC)877736415
035 $a(EIUdb)405965
035 $a(EXLNZ-01CARLI_NETWORK)991019999739705816
040 $aDLC$beng$cDLC$dUKM$dBAKER$dNLGGC$dBTCTA$dYDXCP$dMUQ$dZWZ$dUKTTE$dGEBAY$dBDX$dPSM$dGBVCP$dOCLCF$dNLE$dDEBBG$dOCLCQ$dOCL$dDDD$dEIUdb
049 $aIADA
050 00 $aN6494.P7$bH37 1993
082 00 $a709/.04/1$220
084 $a20.70$2bcl
084 $a21.02$2bcl
084 $aLH 65820$2rvk
100 1 $aHarrison, Charles,$d1942-2009.
245 10 $aPrimitivism, cubism, abstraction :$bthe early twentieth century /$cCharles Harrison, Francis Frascina, Gill Perry.
260 $aNew Haven :$bYale University Press, in association with the Open University,$c1993.
300 $a270 pages :$billustrations (some color) ;$c27 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aModern art--practices and debates
504 $aIncludes bibliographical references and index.
505 0 $aCh. 1. Primitivism and the 'Modern' / Gill Perry -- Introduction: Primitivism in art -- historical debate. pt. 1. 'The going away' -- a preparation for the 'modern'? 'Clogs and granite': Brittany and Pont-Aven. 'Pillaging the savages of Oceania': Gauguin and Tahiti. Primitivism and Kulturkritik: Worpswede in the 1890s. pt. 2. The decorative, the expressive and the primitive. The decorative and the 'culte de la vie': Matisse and Fauvism. The expression and the Expressionist. Expression and the body -- Ch. 2. Realism and Ideology: An Introduction to Semiotics and Cubism / Francis Frascina. Representation: language, signs, realism. Art and semiotics. Realism, ideology and the 'discursive' in Cubism. Artistic subcultures: signs and meaning -- Ch. 3. Abstraction / Charles Harrison. Abstraction, figuration and representation. On interpretation. Autonomy. Kazimir Malevich. Piet Mondrian.
520 0 $aThis volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian$b~ Publisher description.
600 14 $aMalevich, Kazimir Severinovich,$d1878-1935.
600 14 $aMondrian, Piet,$d1872-1944.
600 14 $aMatisse, Henri,$d1869-1954.
650 0 $aPrimitivism in art.
650 0 $aCubism.
650 0 $aArt, Abstract.
650 0 $aArt, Modern$y20th century.
650 6 $aPrimitivisme (Art)
650 6 $aCubisme.
650 6 $aArt abstrait.
650 6 $aArt$y20e siècle.
650 7 $aArt, Abstract.$2fast$0(OCoLC)fst00815850
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aCubism.$2fast$0(OCoLC)fst00884864
650 7 $aPrimitivism in art.$2fast$0(OCoLC)fst01076463
650 17 $aBeeldende kunsten.$2gtt
650 17 $aPrimitivisme.$2gtt
650 17 $aKubisme.$2gtt
650 17 $aAbstracte kunst.$2gtt
650 07 $aAbstrakte Kunst.$0(DE-588)4141146-8$2gnd
650 07 $aKubismus.$0(DE-588)4165855-3$2gnd
650 07 $aKunst.$0(DE-588)4114333-4$2gnd
650 07 $aPrimitivismus.$0(DE-588)4175712-9$2gnd
650 7 $aArt abstrait.$2ram
650 7 $aCubisme.$2ram
650 7 $aArt$y20e siècle.$2ram
650 7 $aPrimitivisme (art)$2ram
650 7 $aArt$y20e siècle$zÉtats-Unis.$2ram
650 7 $aArt$y20e siècle$zEurope.$2ram
650 07 $aKunst.$2swd
650 07 $aPrimitivismus.$2swd
650 07 $aKubismus.$2swd
650 07 $aAbstrakte Kunst.$2swd
648 7 $aGeschichte 1900-1920$2swd
648 7 $a1900-1999$2fast
653 0 $aVisual arts$aAbstract style
700 1 $aFrascina, Francis.
700 1 $aPerry, Gillian.
830 0 $aModern art--practices and debates.
959 $a(EIUdb)405965
959 $a(UICdb)782160$9LOCAL
994 $a92$bIAD