MARC record from Internet Archive

LEADER: 04844cam 2200937 a 4500
001 ocm17301024
003 OCoLC
005 20181213035609.0
008 871214s1988 nyuacfg b 001 0 eng
010 $a 87034861
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020 $a0195053427$q(alk. paper)
020 $a9780195053425$q(alk. paper)
020 $a0195063341$q(pbk.)
020 $a9780195063349$q(pbk.)
035 $a(OCoLC)17301024$z(OCoLC)20629857$z(OCoLC)988505537$z(OCoLC)1022751331
050 00 $aML3470$b.M33 1988
082 00 $a780/.42$219
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084 $a9,2$2ssgn
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084 $a781.6309$223
100 1 $aManuel, Peter,$d1952-
245 10 $aPopular musics of the non-Western world :$ban introductory survey /$cPeter Manuel.
260 $aNew York :$bOxford University Press,$c1988.
300 $ax, 287 pages, [14] pages of plates :$billustrations, portraits, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 271-279) and index.
505 0 $aPerspectives on the study of non-western popular musics -- latin American and the Caribbean -- Africa -- Europe -- The Arab Middle East -- The Non-Arab Middle East -- South Asia -- Southeast Asia -- China -- The Pacific.
520 $aReflecting the growing interest in popular music from the developing world, this unique book is the first to examine all major non-Western urban music styles, from increasingly familiar genres like reggae and salsa, to the lesser-known regional styles of Latin America, the Caribbean, Africa, the Middle East, non-Western Europe (Greece, Yugoslavia, Portugal), Asia, and the Near East. Manuel establishes parameters that distinguish popular music from both folk and classical music, defining popular music as music created with the mass media in mind and reproduced on a mass basis as a salable commodity for large public consumption. While emphasizing stylistic analysis and historical development, he also treats the diverse popular musics as sites for the negotiation and mediation of the dialectics of nationalism and acculturation, tradition and modernity, urban and rural aesthetics, and grassroots spontaneity and corporate or bureaucratic manipulation. With its encyclopedic syntheses of earlier studies and extensive original research, Manuel's book will be an invaluable source for general readers and students of ethnology, popular music, and contemporary culture.
650 0 $aPopular music$xHistory and criticism.
650 6 $aMusique populaire$xHistoire et critique.
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 17 $aPopulaire muziek.$2gtt
650 17 $aWereldmuziek.$2gtt
650 7 $aUnterhaltungsmusik$2gnd
650 7 $aVolkstu mliche Musik$2gnd
650 7 $aMusique populaire.$2ram
650 7 $aEinfu hrung$2gnd
650 07 $aVolkstu mliche Musik.$2swd
650 07 $aUnterhaltungsmusik.$2swd
650 07 $aEinfu hrung.$2swd
653 $aPopular music$aHistory
655 4 $aEinfu hrung.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=001196450&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0640/87034861-d.html
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