| Record ID | ia:passingstrangesh0000thom |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/passingstrangesh0000thom/passingstrangesh0000thom_marc.xml |
| Download MARC binary | https://www.archive.org/download/passingstrangesh0000thom/passingstrangesh0000thom_meta.mrc |
LEADER: 01754cam a2200349 a 4500
001 012791667-9
005 20110603224517.0
008 100810s2011 enka b 001 0 eng
010 $a 2010033675
020 $a9780195385854 (cloth : alk. paper)
020 $a0195385853 (cloth : alk. paper)
035 0 $aocn655304058
035 $a(PromptCat)40019389429
040 $aDLC$cDLC$dYDX$dYDXCP$dBWX
043 $an-us---
050 00 $aPR3091$b.T53 2011
082 00 $a792.9/5$222
100 1 $aThompson, Ayanna,$d1972-
245 10 $aPassing strange :$bShakespeare, race, and contemporary America /$cAyanna Thompson.
260 $aOxford ;$aNew York :$bOxford University Press,$cc2011.
300 $ax, 224 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : the passing strangeness of Shakespeare in America -- Universalism : -- Films that brush with the Bard, suture and bringing down the house -- Essentialism : meditations inspired by Farrukh Dondy's novel Black swan -- multiculturalism : the classics, casting, and confusion -- Original(ity) : Othello and blackface -- Reform : redefining authenticity in Shakespeare reform programs -- Archives : classroom-inspired performance videos on Youtube -- Conclusion : passing race and passing Shakespeare in Peter Sellars's Othello.
600 10 $aShakespeare, William,$d1564-1616$xDramatic production.
600 10 $aShakespeare, William,$d1564-1616$xStage history.
600 10 $aShakespeare, William,$d1564-1616$vFilm adaptations.
600 10 $aShakespeare, William,$d1564-1616$xAppreciation$zUnited States.
650 0 $aRace in literature.
650 0 $aTheater$xCasting.
899 $a415_519600
988 $a20110603
906 $0DLC