MARC record from Internet Archive

LEADER: 06458cam 2201057 a 4500
001 ocm36074351
003 OCoLC
005 20200618032525.0
008 961205s1997 deua b s001 0 eng
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035 $a(OCoLC)36074351
043 $ae-uk-en
050 00 $aPR2993.A58$bL48 1997
082 00 $a822.3/3$221
084 $a18.05$2bcl
100 1 $aLewis, Cynthia,$d1951-
245 10 $aParticular saints :$bShakespeare's four Antonios, their contexts, and their plays /$cCynthia Lewis.
260 $aNewark, Del. :$bUniversity of Delaware Press ;$aLondon ;$aCranbury, NJ :$bAssociated University Presses,$c©1997.
300 $a250 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 229-239) and index.
520 1 $a"Why do characters named Antonio proliferate on the English Renaissance stage? Why are they so often paired with other characters named Sebastian? And more significantly, why are they repeatedly characterized by Shakespeare and his contemporaries as fools for love? Particular Saints draws on church history, art history, and theater history to address these questions by illustrating that Renaissance stage Antonios are a type, representing a tradition familiar to early modern audiences and exploited by Shakespeare in portraying his four major characters named Antonio." "Such characters ultimately derive from the rich medieval iconography and hagiography of Saint Anthony of Egypt. How this knowledge reinforms our late-twentieth-century understanding of the four plays in question is addressed in separate chapters that range widely across each work: The Merchant of Venice, Twelfth Night, Antony and Cleopatra, and The Tempest."--Jacket.
505 0 $aI. Introduction: Particular saints: Shakespeare's four Antonios and their contexts -- "Wise me, folly-fall'n": Characters named "Antonio" in English Renaissance drama -- "A foolish consistency": Antonio and alienation in The merchant of Venice -- "Willing love": Antonio, Viola, and Epiphany in Twelfth night -- "The world's great snare": Antony, Cleopatra, and game -- Prospero's "false brother": Shakespeare's final Antonio -- II. Conclusion: "No way out but through": Shakespeare's Antonios and the wisdom of this world.
600 10 $aShakespeare, William,$d1564-1616$xCharacters$xAntonio.
600 00 $aAnthony,$cof Egypt, Saint,$dapproximately 250-355 or 356$xInfluence.
600 10 $aShakespeare, William,$d1564-1616.$tAntony and Cleopatra.
600 10 $aShakespeare, William,$d1564-1616.$tMerchant of Venice.
600 10 $aShakespeare, William,$d1564-1616.$tTwelfth night.
600 10 $aShakespeare, William,$d1564-1616.$tTempest.
600 17 $aShakespeare, William (1564-1616).$tMerchant of Venice.$2ram
600 17 $aShakespeare, William (1564-1616).$tAntony and Cleopatra.$2ram
600 17 $aShakespeare, William (1564-1616).$tTwelfth night.$2ram
600 17 $aShakespeare, William,$d1564-1616.$tTempest.$2ram
600 17 $aShakespeare, William,$d1564-1616.$tMerchant of Venice.$2ram
600 07 $aAntoine$c(saint ;$d025.?-0356)$xInfluence.$2ram
600 17 $aShakespeare, William.$tMerchant of Venice.$2swd
600 17 $aAntonio.$2swd
600 17 $aShakespeare, William.$tTwelfth night, or what you will.$2swd
600 17 $aShakespeare, William.$tMuch ado about nothing.$2swd
600 17 $aShakespeare, William.$tTwo gentlemen of Verona.$2swd
600 17 $aShakespeare, William.$tTempest.$2swd
600 07 $aAnthony,$cof Egypt, Saint,$dapproximately 250-355 or 356.$2fast$0(OCoLC)fst01804846
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
630 07 $aAntony and Cleopatra (Shakespeare, William)$2fast$0(OCoLC)fst01356313
630 07 $aMerchant of Venice (Shakespeare, William)$2fast$0(OCoLC)fst01356167
630 07 $aTempest (Shakespeare, William)$2fast$0(OCoLC)fst01356079
630 07 $aTwelfth night (Shakespeare, William)$2fast$0(OCoLC)fst01356466
600 14 $aShakespeare, William$xCharacters.
600 14 $aShakespeare, William.$tAntony and Cleopatra.
600 14 $aShakespeare, William.$tMerchant of Venice.
600 14 $aShakespeare, William.$tTwelfth night.
600 14 $aShakespeare, William.$tTempest.
650 0 $aChristianity and literature$zEngland$xHistory$y16th century.
650 0 $aChristianity and literature$zEngland$xHistory$y17th century.
650 0 $aChristian saints in literature.
650 0 $aReligion in literature.
650 0 $aAnthony (Name)
650 17 $aHeiligen.$2gtt
650 17 $aPersonages.$2gtt
650 17 $aToneelstukken.$2gtt
650 17 $aEngels.$2gtt
650 7 $aChristianisme et littérature$zAngleterre (GB)$y16e siècle.$2ram
650 7 $aChristianisme et littérature$zAngleterre (GB)$y17e siècle.$2ram
650 7 $aAnthony (Name)$2fast$0(OCoLC)fst00810121
650 7 $aChristian saints in literature.$2fast$0(OCoLC)fst00859514
650 7 $aChristianity and literature.$2fast$0(OCoLC)fst00859681
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
650 7 $aReligion in literature.$2fast$0(OCoLC)fst01732559
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1500-1699$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aLewis, Cynthia, 1951-$tParticular saints.$dNewark, Del. : University of Delaware Press ; London ; Cranbury, NJ : Associated University Presses, ©1997$w(OCoLC)605379694
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