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LEADER: 07883cam 2201045 i 4500
001 ocn689548747
003 OCoLC
005 20220802070918.0
008 101129t20122012nyua b 001 0 eng
010 $a 2010046062
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020 $a9780195388947$q(alk. paper)
020 $a0195388941$q(alk. paper)
020 $a9780199995813
020 $a0199995818
035 $a(OCoLC)689548747$z(OCoLC)775598867$z(OCoLC)825181264$z(OCoLC)859497638$z(OCoLC)893977330$z(OCoLC)962030578$z(OCoLC)1038192805
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050 00 $aQC225.15$b.O93 2012
082 00 $a534$222
084 $a73.64$2bcl
084 $aO42$2clc
245 04 $aThe Oxford handbook of sound studies /$cedited by Trevor Pinch and Karin Bijsterveld.
264 1 $aNew York :$bOxford University Press,$c[2012]
264 4 $c©2012
300 $axii, 593 pages :$billustrations ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $a[Oxford handbooks]
500 $aSeries statement from book jacket.
504 $aIncludes bibliographical references and index.
505 00 $tThe garden in the machine : listening to early American industrialization /$rMark M. Smith --$tTurning a deaf ear? Industrial noise and noise control in Germany since the 1920s /$rHans-Joachim Braun --$t"Sobbing, whining, rumbling" : listening to automobiles as social practice /$rStefan Krebs --$tSelling sound : testing, designing, and marketing sound in the European car industry /$rEefje Cleophas and Karin Bijsterveld --$tSound sterile : making scientific field recordings in ornithology /$rJoeri Bruyninckx --$tUnderwater music : tuning composition to the sounds of science /$rStefan Helmreich --$tA gray box : the phonograph in laboratory experiments and fieldwork, 1900-1920 /$rJulia Kursell --$tFrom scientific instruments to musical instruments : the tuning fork, the metronome, and the siren /$rMyles W. Jackson --$tConversions : sound and sight, military and civilian /$rCyrus C.M. Mody --$tThe search for the "killer application" : drawing the boundaries around the sonification of scientific data /$rAlexandra Supper --$tInner and outer sancta : earplugs and hospitals /$rHillel Schwartz --$tSounding bodies : medical students and the acquisition of stethoscopic perspectives /$rTom Rice --$tDo signals have politics? Inscribing abilities in cochlear implants /$rMara Mills --$tSound and player immersion in digital games /$rMark Grimshaw --$tThe sonic playpen : sound design and technology in Pixar's animated shorts /$rWilliam Whittington --$tThe avant-garde in the family room : American advertising and the domestication of electronic music in the 1960s and 1970s /$rTimothy D. Taylor --$tVisibly audible : the radio dial as mediating interface /$rAndreas Fickers --$tFrom listening to distribution : nonofficial music practices in Hungary and Czechoslovakia from the 1960s to the 1980s /$rTrever Hagen with Tia DeNora --$tThe amateur in the age of mechanical music /$rMark Katz --$tOnline music sites as sonic sociotechnical communities : identity, reputation, and technology at ACIDplanet.com /$rTrevor Pinch and Katherine Athanasiades --$tAnalog turns digital : hip-hop, technology, and the maintenance of racial authenticity /$rRayvon Fouché --$tiPod culture : the toxic pleasures of audiotopia /$rMichael Bull --$tThe recording that never wanted to be heard and other stories of sonification /$rJonathan Sterne and Mitchell Akiyama.
520 $aWritten by the world's leading scholars and researchers in the emerging field of sound studies, The Oxford Handbook of Sound Studies offers new and fully engaging perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as experienced in such diverse settings as shop floors, laboratories, clinics, design studios, homes, and clubs, across an impressively broad range of historical periods and national and cultural contexts. Science has traditionally been understood as a visual matter, a study which has historically been undertaken with optical technologies such as slides, graphs, and telescopes. This book questions that notion powerfully by showing how listening has contributed to scientific practice. Sounds have always been a part of human experience, shaping and transforming the world in which we live in ways that often go unnoticed. Sounds and music, the authors argue, are embedded in the fabric of everyday life, art, commerce, and politics in ways which impact our perception of the world. Through an extraordinarily diverse set of case studies, authors illustrate how sounds--from the sounds of industrialization, to the sounds of automobiles, to sounds in underwater music and hip-hop, to the sounds of nanotechnology--give rise to new forms listening practices. In addition, the book discusses the rise of new public problems such as noise pollution, hearing loss, and the "end" of the amateur musician that stem from the spread and appropriation of new sound and music-related technologies, analog and digital, in many domains of life.
650 0 $aSound.
650 0 $aSounds.
650 0 $aNoise.
650 6 $aBruits naturels.
650 6 $aBruit.
650 7 $anoise.$2aat
650 7 $aBruit.$2eclas
650 7 $aNoise.$2fast$0(OCoLC)fst01038354
650 7 $aSound.$2fast$0(OCoLC)fst01126935
650 7 $aSounds.$2fast$0(OCoLC)fst01127099
650 7 $aSound$2gnd
650 7 $aGeräusch$2gnd
650 7 $aKlang$2gnd
650 7 $aMusik$2gnd
650 7 $aLärm$2gnd
650 17 $aGeluid.$2gtt
650 17 $aLawaai.$2gtt
650 7 $aGeräusch.$2idszbz
650 7 $aKlang.$2idszbz
650 7 $aLärm.$2idszbz
650 7 $aMusik.$2idszbz
650 7 $aSound.$2nli
650 7 $aSounds.$2nli
650 7 $aNoise.$2nli
655 7 $aHandboeken (vorm)$2gtt
700 1 $aPinch, Trevor,$d1952-2021,$eeditor.
700 1 $aBijsterveld, Karin,$d1961-$eeditor.
830 0 $aOxford handbooks.
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